Concerts

Matches

Outlaw looking for house mouseretired Outlaw biker looking for house mouse to hang with while we wait out another Chicago winter. [email protected]

It’s 2023……time for change and adventure.Intelligence is a turn-on….that said, I (male) would like to meet a lady (50+) for intelligent conversations, wine dinners and walks along the lake….or a ride on a motorcycle or going to a museum. I am in my early sixties, 6’2’’, educated, fit and presentable. [email protected]

MJM DOM 52 SEEKS SUB JEWISH FEMALEMJM DOM 52 seeks submissive jewish female who needs on going pleasure & punishment oral pleasure bondage pleasure & punishment & will train & seeking discreet LTR I can host & discreet call/text-224-292-9899 [email protected]

Submit your Reader Matches ad today for FREE. Matches ads are not guaranteed and will run in print and online on a space-available basis.

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Classifieds

JOBS

Software Developer is needed to develop and maintain Android apps. Req. Bachelor’s degree in Computer Science, Software Engineering, or related fields. 1-year work experience in developing Android apps. Worksite: Chicago, Illinois. Send resume: INFI USA INC, 159 N Sangamon St. Suite 200, Chicago IL 60607.

IT Project ManagerManage project execution to ensure adherence to budget, schedule, and scope, confer with project personnel to identify and resolve problems, monitor or track project milestones and deliverables, submit project deliverables, ensuring adherence to quality standards, assess current or future customer needs and priorities by communicating directly with customers, conducting surveys, or other methods, initiate, review, or approve modifications to project plans, schedule and facilitate meetings related to information technology projects, develop and manage annual budgets for information technology projects, establish and execute a project communication plan, develop and manage work breakdown structure of information technology projects, monitor the performance of project team members, coordinate recruitment or selection of project personnel, assign duties, responsibilities, and spans of authority to project personnel, negotiate with project stakeholders or suppliers to obtain resources or materials. Mail résumé to Bruce Sokol, Clear Corp, 5005 Newport Dr, Suite#100, Rolling Meadows, IL 60008

Project Engineer. Evaluate construction scope, reqs & conditions. Prepare budget & bidding & discuss construction methods. Prepare construction submittals to architect for approval. Analyze construction blueprints, shop drawings, survey reports, & geo data, & confirm outcome. Prepare construction schedule of values. Inspect on-site progress. Prepare project-specific proposals. Create RFIs, submittals, potential change orders & contract mods. Prepare project closeout pkg. *Work is at Employer’s Office (44 West 60th St, Chicago, IL 60621) with travel to project site visits lasting 1-2 hrs per visit within the Chicago metro statistical area 4x per month. Min Reqs: Master’s in Civil Engineering, Construction Engineering & Mgmt, or closely rltd field +2 yrs exp in any occupational title involving the analysis of construction blueprints, shop drawings, & specs. Must possess 2 yrs exp in the following: analyzing construction blueprints, shop drawings, & specs; preparing bids & cost estimations for construction projects; conducting construction site visits to ensure conformance with construction drawings, blueprints, & specs; working with: Project Management software, such as Procore or Autodesk Build; Bid Management software such as BuildingConnected or Construction Connect; Construction Estimating Software such as Bluebeam, Autodesk Takeoff, or RSMeans; CAD software such as Auto CAD or Sketchup; & Scheduling software including Primavera P6 or Microsoft Project. Please send resume to Burling Builders, Inc. at [email protected].

World Food Enterprises, LLC. d/b/a Deli 4 You seeks an Advertising Sales Manager. Mail resume to 9 E Camp McDonald Road, Prospect Heights, IL.

TranSmart, LLC seeks Civil/Traffic Engineer in Chicago, IL to design traffic signals, traffic control plans, collect raw traffic data, run traffic simulations & create reports & graphs. Requires bachelor’s degree in civil engineering with emphasis in transportation & knowledge of traffic operations analysis, signal timing & Auto-CAD or similar. Travel throughout Chicagoland area, as needed. Send CV to [email protected]. Use job code KA0123.

Antares Capital LP seeks a Lead Technologist, ETL Developer in Chicago, IL to develop SQL queries, SSIS packages, stored procedures, enhance and maintain data warehouse load process, and manage the gathering of requirements from a backend SQL perspective and implement the necessary and required business logic to transform the business requirements in SQL to provide the desired outcome. Will undertake any duties involved with query optimizations and performance tuning of various MS BI objects, collaborating with business analysts and business stakeholders to ensure a thorough understanding of strategic data requirements and ensuring that the data hub is following the best practices in every aspect. Requirements: Bachelor’s degree in Computer Science, Information Technology, or a related field, and 7 years of progressively responsible experience in Database Management/Data Modeling, SQL Development, including SQL Server and Visual Studio, ETL and in designing and coding SSIS packages. 5 years of experience in SQL Server Performance Tuning and Query Optimization and experience writing complex Stored Procedures, Functions, and views using SQL. Send resumes to Antares Capital LP HR [email protected].

LEGAL NOTICE

Public Notice Of Name ChangeI file to change my name from John Earl Poole to John Mwalimu Kali Mwindaji with the State Of Illinois Circuit Court in Cook County.

NOTICE OF PUBLIC SALE OF PERSONAL PROPERTYNotice is hereby given that pursuant to Section 4 of the Self-Storage Facility Act, State of Illinois, Chicago Northside Storage – Lakeview /Western Ave Storage LLC will conduct sale(s) at www.storagetreasures.com by competitive bidding starting on February 8th and ending on February 15th @ 11:00 pm on the premises where the property has been stored, which are located at Chicago Northside Storage 2946 N Western Ave. Chicago, IL 60618. 773-305-4000. In the matter of the personal property of the individual listed below, Chicago Northside Storage – Lakeview. Nicolas K Spagnolo H03, Debra Strazzabosco N06, Perry Marshall N12, Kahlia Williams O14, Adam Legler T147. Purchases must be made with cash only and paid at the time of sale redemption. All goods are sold as is and must be removed at the time of purchase. The sale is subject to adjournment.

PROFESSIONALS & SERVICES

CLEANING SERVICES CHESTNUT ORGANIZING AND CLEANING SERVICES: especially for people who need an organizing service because of depression, elderly, physical or mental challenges or other causes for your home’s clutter, disorganization, dysfunction, etc. We can organize for the downsizing of your current possessions to more easily move into a smaller home. With your help, we can help to organize your move. We can organize and clean for the deceased in lieu of having the bereaved needing to do the preparation to sell or rent the deceased’s home. We are absolutely not judgmental; we’ve seen and done “worse” than your job assignment. With your help, can we please help you? Chestnut Cleaning Service: 312-332-5575. www.ChestnutCleaning.com

RESEARCH

Have you had an unwanted sexual experience since age 18?Did you tell someone in your life about it who is also willing to participate? Women ages 18+ who have someone else in their life they told about their experience also willing to participate will be paid to complete a confidential online research survey for the Women’s Dyadic Support Study. Contact Dr. Sarah Ullman of the University of Illinois at Chicago, Criminology, Law, & Justice Department at [email protected], 312-996-5508. Protocol #2021-0019.

RENTALS & REAL ESTATE

Spacious 2 bedroom apartment. New hardwood floors. Dining room. Appliances. Laundry in-unit. Heat Included. Electric included. Monthly rent $1,550. 4321 w. Cortez st. Contact Mr. Henry 773 620-1241.

PERSONALS

Dominick Defanso rocks Guns N Roses, Aerosmith, Black Sabbath, Marilyn Monroe in Icons. Pop star / rock stars fun with Tracy Guns, ACDC, Lady G, T. Swift, Slash, J. Bieber, Gwen S. Watch on the Tube, Downloads, T-shirts, album coves – CDs. My favorite song – BARBIE GIRL. We love you – America.Thank you Hollywood RoseGuns N RoseTracy Rock RoseLia Lakely

ADULT SERVICES

Danielle’s Lip Service, Erotic Phone Chat. 24/7. Must be 21+. Credit/Debit Cards Accepted. All Fetishes and Fantasies Are Welcomed. Personal, Private and Discrete. 773-935-4995

Want to add a listing to our classifieds?

See classified advertising information at chicagoreader.com/ads.

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Classifieds Read More »

Matches

Outlaw looking for house mouseretired Outlaw biker looking for house mouse to hang with while we wait out another Chicago winter. [email protected]

It’s 2023……time for change and adventure.Intelligence is a turn-on….that said, I (male) would like to meet a lady (50+) for intelligent conversations, wine dinners and walks along the lake….or a ride on a motorcycle or going to a museum. I am in my early sixties, 6’2’’, educated, fit and presentable. [email protected]

MJM DOM 52 SEEKS SUB JEWISH FEMALEMJM DOM 52 seeks submissive jewish female who needs on going pleasure & punishment oral pleasure bondage pleasure & punishment & will train & seeking discreet LTR I can host & discreet call/text-224-292-9899 [email protected]

Submit your Reader Matches ad today for FREE. Matches ads are not guaranteed and will run in print and online on a space-available basis.

Read More

Matches Read More »

Classifieds

JOBS

Software Developer is needed to develop and maintain Android apps. Req. Bachelor’s degree in Computer Science, Software Engineering, or related fields. 1-year work experience in developing Android apps. Worksite: Chicago, Illinois. Send resume: INFI USA INC, 159 N Sangamon St. Suite 200, Chicago IL 60607.

IT Project ManagerManage project execution to ensure adherence to budget, schedule, and scope, confer with project personnel to identify and resolve problems, monitor or track project milestones and deliverables, submit project deliverables, ensuring adherence to quality standards, assess current or future customer needs and priorities by communicating directly with customers, conducting surveys, or other methods, initiate, review, or approve modifications to project plans, schedule and facilitate meetings related to information technology projects, develop and manage annual budgets for information technology projects, establish and execute a project communication plan, develop and manage work breakdown structure of information technology projects, monitor the performance of project team members, coordinate recruitment or selection of project personnel, assign duties, responsibilities, and spans of authority to project personnel, negotiate with project stakeholders or suppliers to obtain resources or materials. Mail résumé to Bruce Sokol, Clear Corp, 5005 Newport Dr, Suite#100, Rolling Meadows, IL 60008

Project Engineer. Evaluate construction scope, reqs & conditions. Prepare budget & bidding & discuss construction methods. Prepare construction submittals to architect for approval. Analyze construction blueprints, shop drawings, survey reports, & geo data, & confirm outcome. Prepare construction schedule of values. Inspect on-site progress. Prepare project-specific proposals. Create RFIs, submittals, potential change orders & contract mods. Prepare project closeout pkg. *Work is at Employer’s Office (44 West 60th St, Chicago, IL 60621) with travel to project site visits lasting 1-2 hrs per visit within the Chicago metro statistical area 4x per month. Min Reqs: Master’s in Civil Engineering, Construction Engineering & Mgmt, or closely rltd field +2 yrs exp in any occupational title involving the analysis of construction blueprints, shop drawings, & specs. Must possess 2 yrs exp in the following: analyzing construction blueprints, shop drawings, & specs; preparing bids & cost estimations for construction projects; conducting construction site visits to ensure conformance with construction drawings, blueprints, & specs; working with: Project Management software, such as Procore or Autodesk Build; Bid Management software such as BuildingConnected or Construction Connect; Construction Estimating Software such as Bluebeam, Autodesk Takeoff, or RSMeans; CAD software such as Auto CAD or Sketchup; & Scheduling software including Primavera P6 or Microsoft Project. Please send resume to Burling Builders, Inc. at [email protected].

World Food Enterprises, LLC. d/b/a Deli 4 You seeks an Advertising Sales Manager. Mail resume to 9 E Camp McDonald Road, Prospect Heights, IL.

TranSmart, LLC seeks Civil/Traffic Engineer in Chicago, IL to design traffic signals, traffic control plans, collect raw traffic data, run traffic simulations & create reports & graphs. Requires bachelor’s degree in civil engineering with emphasis in transportation & knowledge of traffic operations analysis, signal timing & Auto-CAD or similar. Travel throughout Chicagoland area, as needed. Send CV to [email protected]. Use job code KA0123.

Antares Capital LP seeks a Lead Technologist, ETL Developer in Chicago, IL to develop SQL queries, SSIS packages, stored procedures, enhance and maintain data warehouse load process, and manage the gathering of requirements from a backend SQL perspective and implement the necessary and required business logic to transform the business requirements in SQL to provide the desired outcome. Will undertake any duties involved with query optimizations and performance tuning of various MS BI objects, collaborating with business analysts and business stakeholders to ensure a thorough understanding of strategic data requirements and ensuring that the data hub is following the best practices in every aspect. Requirements: Bachelor’s degree in Computer Science, Information Technology, or a related field, and 7 years of progressively responsible experience in Database Management/Data Modeling, SQL Development, including SQL Server and Visual Studio, ETL and in designing and coding SSIS packages. 5 years of experience in SQL Server Performance Tuning and Query Optimization and experience writing complex Stored Procedures, Functions, and views using SQL. Send resumes to Antares Capital LP HR [email protected].

LEGAL NOTICE

Public Notice Of Name ChangeI file to change my name from John Earl Poole to John Mwalimu Kali Mwindaji with the State Of Illinois Circuit Court in Cook County.

NOTICE OF PUBLIC SALE OF PERSONAL PROPERTYNotice is hereby given that pursuant to Section 4 of the Self-Storage Facility Act, State of Illinois, Chicago Northside Storage – Lakeview /Western Ave Storage LLC will conduct sale(s) at www.storagetreasures.com by competitive bidding starting on February 8th and ending on February 15th @ 11:00 pm on the premises where the property has been stored, which are located at Chicago Northside Storage 2946 N Western Ave. Chicago, IL 60618. 773-305-4000. In the matter of the personal property of the individual listed below, Chicago Northside Storage – Lakeview. Nicolas K Spagnolo H03, Debra Strazzabosco N06, Perry Marshall N12, Kahlia Williams O14, Adam Legler T147. Purchases must be made with cash only and paid at the time of sale redemption. All goods are sold as is and must be removed at the time of purchase. The sale is subject to adjournment.

PROFESSIONALS & SERVICES

CLEANING SERVICES CHESTNUT ORGANIZING AND CLEANING SERVICES: especially for people who need an organizing service because of depression, elderly, physical or mental challenges or other causes for your home’s clutter, disorganization, dysfunction, etc. We can organize for the downsizing of your current possessions to more easily move into a smaller home. With your help, we can help to organize your move. We can organize and clean for the deceased in lieu of having the bereaved needing to do the preparation to sell or rent the deceased’s home. We are absolutely not judgmental; we’ve seen and done “worse” than your job assignment. With your help, can we please help you? Chestnut Cleaning Service: 312-332-5575. www.ChestnutCleaning.com

RESEARCH

Have you had an unwanted sexual experience since age 18?Did you tell someone in your life about it who is also willing to participate? Women ages 18+ who have someone else in their life they told about their experience also willing to participate will be paid to complete a confidential online research survey for the Women’s Dyadic Support Study. Contact Dr. Sarah Ullman of the University of Illinois at Chicago, Criminology, Law, & Justice Department at [email protected], 312-996-5508. Protocol #2021-0019.

RENTALS & REAL ESTATE

Spacious 2 bedroom apartment. New hardwood floors. Dining room. Appliances. Laundry in-unit. Heat Included. Electric included. Monthly rent $1,550. 4321 w. Cortez st. Contact Mr. Henry 773 620-1241.

PERSONALS

Dominick Defanso rocks Guns N Roses, Aerosmith, Black Sabbath, Marilyn Monroe in Icons. Pop star / rock stars fun with Tracy Guns, ACDC, Lady G, T. Swift, Slash, J. Bieber, Gwen S. Watch on the Tube, Downloads, T-shirts, album coves – CDs. My favorite song – BARBIE GIRL. We love you – America.Thank you Hollywood RoseGuns N RoseTracy Rock RoseLia Lakely

ADULT SERVICES

Danielle’s Lip Service, Erotic Phone Chat. 24/7. Must be 21+. Credit/Debit Cards Accepted. All Fetishes and Fantasies Are Welcomed. Personal, Private and Discrete. 773-935-4995

Want to add a listing to our classifieds?

See classified advertising information at chicagoreader.com/ads.

Read More

Classifieds Read More »

Paying homage to Black women in film

The first ever Black women’s film festival in 1976 was a celebration of culture and art with live performances and lectures on change. It showed new work by Black women filmmakers while also showcasing essential discussions about the art’s future.

The group of Black women artists and activists was composed of filmmaker Monica Freeman, poet Patricia Spears Jones, writer Margo Jefferson, artist Faith Ringgold, and Ringgold’s daughter, author Michele Wallace.

Now that festival, the Sojourner Truth Festival of the Arts, is back as a film series and symposium that pays tribute to the original event. The programming is in conjunction with a University of Chicago course titled “Creating a Different Image: Black Women’s Filmmaking of the 1970s-90s,” taught by professor Allyson Nadia Field, and is part of the department of cinema and media studies “Open Classroom” initiative.

“In the past, classes that are ‘open classroom’ courses have one or two screenings that we invite the public into, and the students are involved in that,” Field says. “It just means that they’re on the public program . . . and it’s a way of kind of inviting the audience into our classes.”

But this time, Field’s classroom is even more open. All nine screenings, which occur through March 2, are free to the public, allowing the festival to pay homage to Black women in film while extending the colearning experience outside of the boundaries of a traditional classroom.

“This is unprecedented; this is the first time we’re doing the entire course as public engagement,” Field says. “And what’s neat about that is a lot of the material on the program is rarely screened. Some of it we had to make access copies for, [or] it was sourced from various archives, and so it’s an opportunity for the public to see material that’s not widely screened.”

One of those rarely-screened films is Pearl Bowser’s The Guest.

“It’s part of the Pearl Bowser collection at the Smithsonian National Museum of African American History and Culture,” Field says. “And Pearl Bowser is best known as a film curator, collector, and archivist. She also made documentary films, and she’s a historian, so she’s partly responsible for the first wave of scholarship on Oscar Micheaux and early Black filmmaking.”

Unlike Bowser’s historical works, The Guest is a five-minute fiction horror that screened during the series’s first week, showing the breadth of her ability.

“What we wanted to emphasize with the programming is the real range of work and the impact and power of what these women were trying to do in telling Black women’s stories,” Field says.

In addition to Field, the 2023 festival is co-organized by Monica Freeman, who co-organized the 1976 festival; Yvonne Welbon, CEO of the nonprofit Sisters in Cinema; Michael W. Phillips Jr., founder and director of South Side Projections; and University of Iowa professor Hayley O’Malley.

O’Malley, who was researching the original festival, found a program from 1976 in special collections at Northwestern University. As she started to look for organizers and participants from that time, she connected with other co-organizers, and together they created the idea for a way to honor that festival with new programming.

“The process of putting together a 2023 festival has been a highly collective and collaborative endeavor,” she says.

Along with weekly film screenings, the festival culminates with a two-day symposium on March 3-4, where Michele Wallace—another co-organizer of the original festival—will give the keynote address. O’Malley says she hopes attendees can see just how expansive the history of Black feminist media really is.

“There’s a much longer history of Black feminist media,” she says. “And so hopefully, by bringing together filmmakers, writers, curators, programmers for this gathering, for the symposium in 2023, we can celebrate that history and also start thinking not only about what Black women’s filmmaking was in the past and what it is now but what it can be in the future.”

The Sojourner Truth Festival of the Arts 2023 and “Creating a Different Image: Black Women’s Filmmaking of the 1970s-90s”Through 3/4, free, voices.uchicago.edu/sojourner

All events are held on the University of Chicago campus, and the university has also created additional community events surrounding the film screenings. On February 9 and 16, for example, the university’s Arts + Public Life and Logan Center Community Engagement teams will host happy hours with drinks and appetizers before the film screenings. Sabrina Craig, assistant director of external engagement at UChicago Arts, says these events are meant to encourage people outside of the university to participate. Attendees are then shuttled to screenings.

“Our goal was to create a friendly, low-key ‘field trip’ experience for people who don’t regularly attend university events but who might enjoy going with a group,” she explains.

Each week, the screenings have a theme, such as “A Sense of Place,” “Adaptation and Beyond,” “Family Stories,” and “Interior Lives”—themes that resonate with the human experience.

“I think that this just is really about sharing this work and making it clear to audiences that there’s something here for everyone to appreciate and to understand,” Field says.

Co-organizer Yvonne Welbon explains how special the opportunity is to pay homage to women like filmmaker Madeline Anderson, who was the recipient of a Woman of the Year Award at the original festival in 1976. She believes people will be inspired by what they see.

“She was definitely one of the early folks out there making films in the 50s,” she says. “She really decided, instead of writing a book, to make a film about her life. That’s inspiring. It’s never too late. You can always, always, always work. So we’re going to be seeing a lot of older women who are [still working in film]. I don’t think many people would think about a 95-year-old Black woman making the movie, but that she is.”

And as a filmmaker herself, Welbon knows that inspiration can be for creatives in film, too.

“I know we showed my film [on January 12], The Cinematic Jazz with Julie Dash, and I realized I hadn’t seen it in decades because it’s from the 90s,” she says. “Some of us haven’t even seen our own work in a long time. . . . It’s inspiring for us, not just for audiences but for the filmmakers, too.”

Read More

Paying homage to Black women in film Read More »

Paying homage to Black women in film

The first ever Black women’s film festival in 1976 was a celebration of culture and art with live performances and lectures on change. It showed new work by Black women filmmakers while also showcasing essential discussions about the art’s future.

The group of Black women artists and activists was composed of filmmaker Monica Freeman, poet Patricia Spears Jones, writer Margo Jefferson, artist Faith Ringgold, and Ringgold’s daughter, author Michele Wallace.

Now that festival, the Sojourner Truth Festival of the Arts, is back as a film series and symposium that pays tribute to the original event. The programming is in conjunction with a University of Chicago course titled “Creating a Different Image: Black Women’s Filmmaking of the 1970s-90s,” taught by professor Allyson Nadia Field, and is part of the department of cinema and media studies “Open Classroom” initiative.

“In the past, classes that are ‘open classroom’ courses have one or two screenings that we invite the public into, and the students are involved in that,” Field says. “It just means that they’re on the public program . . . and it’s a way of kind of inviting the audience into our classes.”

But this time, Field’s classroom is even more open. All nine screenings, which occur through March 2, are free to the public, allowing the festival to pay homage to Black women in film while extending the colearning experience outside of the boundaries of a traditional classroom.

“This is unprecedented; this is the first time we’re doing the entire course as public engagement,” Field says. “And what’s neat about that is a lot of the material on the program is rarely screened. Some of it we had to make access copies for, [or] it was sourced from various archives, and so it’s an opportunity for the public to see material that’s not widely screened.”

One of those rarely-screened films is Pearl Bowser’s The Guest.

“It’s part of the Pearl Bowser collection at the Smithsonian National Museum of African American History and Culture,” Field says. “And Pearl Bowser is best known as a film curator, collector, and archivist. She also made documentary films, and she’s a historian, so she’s partly responsible for the first wave of scholarship on Oscar Micheaux and early Black filmmaking.”

Unlike Bowser’s historical works, The Guest is a five-minute fiction horror that screened during the series’s first week, showing the breadth of her ability.

“What we wanted to emphasize with the programming is the real range of work and the impact and power of what these women were trying to do in telling Black women’s stories,” Field says.

In addition to Field, the 2023 festival is co-organized by Monica Freeman, who co-organized the 1976 festival; Yvonne Welbon, CEO of the nonprofit Sisters in Cinema; Michael W. Phillips Jr., founder and director of South Side Projections; and University of Iowa professor Hayley O’Malley.

O’Malley, who was researching the original festival, found a program from 1976 in special collections at Northwestern University. As she started to look for organizers and participants from that time, she connected with other co-organizers, and together they created the idea for a way to honor that festival with new programming.

“The process of putting together a 2023 festival has been a highly collective and collaborative endeavor,” she says.

Along with weekly film screenings, the festival culminates with a two-day symposium on March 3-4, where Michele Wallace—another co-organizer of the original festival—will give the keynote address. O’Malley says she hopes attendees can see just how expansive the history of Black feminist media really is.

“There’s a much longer history of Black feminist media,” she says. “And so hopefully, by bringing together filmmakers, writers, curators, programmers for this gathering, for the symposium in 2023, we can celebrate that history and also start thinking not only about what Black women’s filmmaking was in the past and what it is now but what it can be in the future.”

The Sojourner Truth Festival of the Arts 2023 and “Creating a Different Image: Black Women’s Filmmaking of the 1970s-90s”Through 3/4, free, voices.uchicago.edu/sojourner

All events are held on the University of Chicago campus, and the university has also created additional community events surrounding the film screenings. On February 9 and 16, for example, the university’s Arts + Public Life and Logan Center Community Engagement teams will host happy hours with drinks and appetizers before the film screenings. Sabrina Craig, assistant director of external engagement at UChicago Arts, says these events are meant to encourage people outside of the university to participate. Attendees are then shuttled to screenings.

“Our goal was to create a friendly, low-key ‘field trip’ experience for people who don’t regularly attend university events but who might enjoy going with a group,” she explains.

Each week, the screenings have a theme, such as “A Sense of Place,” “Adaptation and Beyond,” “Family Stories,” and “Interior Lives”—themes that resonate with the human experience.

“I think that this just is really about sharing this work and making it clear to audiences that there’s something here for everyone to appreciate and to understand,” Field says.

Co-organizer Yvonne Welbon explains how special the opportunity is to pay homage to women like filmmaker Madeline Anderson, who was the recipient of a Woman of the Year Award at the original festival in 1976. She believes people will be inspired by what they see.

“She was definitely one of the early folks out there making films in the 50s,” she says. “She really decided, instead of writing a book, to make a film about her life. That’s inspiring. It’s never too late. You can always, always, always work. So we’re going to be seeing a lot of older women who are [still working in film]. I don’t think many people would think about a 95-year-old Black woman making the movie, but that she is.”

And as a filmmaker herself, Welbon knows that inspiration can be for creatives in film, too.

“I know we showed my film [on January 12], The Cinematic Jazz with Julie Dash, and I realized I hadn’t seen it in decades because it’s from the 90s,” she says. “Some of us haven’t even seen our own work in a long time. . . . It’s inspiring for us, not just for audiences but for the filmmakers, too.”

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Paying homage to Black women in film Read More »

Torture by any other name

Solitary confinement has long been the punishment of choice for prisoners who draw the ire of prison officials. Its roots are at Cherry Hill, the world’s first penitentiary, built in Pennsylvania in 1829. It was founded by Quakers who believed that locking a prisoner away for months or years would reform them. Solitary confinement is the seminal philosophy of the criminal justice system in America.

After touring American prisons in 1831, Alexis de Tocqueville wrote that solitary “devours the victim incessantly and unmercifully; it does not reform, it kills.” 

In 1890, the Supreme Court found in the case In re Medley that many prisoners “fell, after even a short confinement, into a semi-fatuous condition, from which it was next to impossible to arouse them, and others became violently insane.” More than a century later, Justice Anthony Kennedy wrote, “Years on end of near-total isolation exact a terrible price . . . common side effects of solitary confinement include anxiety, panic, withdrawal, hallucinations, self-mutilation, and suicidal thoughts and actions.” Justice Sonia Sotomayor noted in 2018 that between 80,000 to 100,000 prisoners were held in some form of solitary confinement, the terms of which can range from a few days to decades.

In 2011, the United Nations declared solitary confinement to be torture. In 2014, the Committee Against Torture (which the U.S. is a member of) expressed concerns about America’s use of solitary confinement and recommended the U.S. limit the use of solitary confinement to “a measure of last resort and for as short a time as possible.” Other organizations followed suit, including the World Health Organization, the Association of Correctional Administrators, the American Bar Association, and the American Civil Liberties Union.

But in practice, solitary is not a measure of last resort, nor is it solely used in response to violent or predatory actions by prisoners. Jailhouse lawyers and politically active or vocal prisoners are frequently targeted by staff. The retaliation often manifests in fabricated disciplinary charges and months or years of solitary confinement.

Prison policymakers claim not to use solitary confinement anymore, disguising it behind a plethora of euphemistic terms: administrative detention, close management unit, control unit, disciplinary segregation unit, intensive management unit, involuntary protective custody, punitive segregation, restricted housing unit, security housing unit, special management unit, and supermax.

In Illinois, the preferred euphemisms are restricted housing, administrative detention, and indeterminate segregation.

I spent more than five and a half years in isolation, and I know what it can do. They threw me in a steel-fronted cell that had a box on the door and a small window. When it was time to eat, they unlocked the box, put my tray inside, closed the box, then opened the slide so I could grab my tray. They always covered the window so I had no human contact at all. These cells were reserved for those they especially wanted to hurt.

In solitary, you don’t notice it, but pretty quickly you begin to unravel. You pace the small cell, back and forth, back and forth. When I was a kid, I went to the zoo a few times. I used to see the tiger, who was always pacing back and forth. I used to wonder why he did that. Now I know. I felt like that animal, pacing back and forth. It almost became a compulsion.

You also begin to count. You count everything: the holes in the door, the bricks in the wall, the cracks, your steps, everything. This becomes compulsive. Your brain doesn’t stop; it’s looking for stimulation where there is none. Counting gives your mind something to do. When there is nothing, your brain invents things. It’s sensory deprivation taken to the extreme.

I became severely depressed and very paranoid. I convinced myself that the prison administration was trying to poison me. I didn’t eat for 25 days. Finally, I was told if I didn’t eat, I would be taken to court and force-fed. I said I would eat only if a nurse brought me my tray. I didn’t trust anyone else.

I realized I had to get ahold of myself or I wouldn’t be able to come back. Isolation is full of severely mentally ill people. IDOC does not have the staff or the patience to deal with such prisoners. They usually get written disciplinary reports and are buried in isolation. Unable to understand what’s going on or why, they end up spending years or decades there. I’ve seen friends who were sane lose their minds in isolation.

I talked to myself a lot. There was no one to talk to, so I had to become both sides of the conversation. I became my own best friend. I had nobody else. I was the only one there for myself.

I was able to get hold of the paranoia but not the depression. I thought about killing myself more often than I care to admit. The loneliness was unbearable. I felt like I didn’t matter. I began to question if I was even real. Was I a figment of my own imagination? Did I even exist? I began to cut myself, reasoning that if I bled, then I must exist. I bear those scars to this day. They remind me of when I was tortured and of just how little holds our minds together.

I came out of isolation a much different person. I didn’t talk; I was afraid of social situations. The paranoia I fought so hard to control came back. I was afraid people were going to hurt me. I didn’t know how to interact with people, and I didn’t understand social cues.

It’s been many years since I got out of isolation. Over time, and with a lot of difficult work, I was able to lose the paranoia. I know that I am real. I’m still socially awkward, and I get anxious around a lot of people. I’m quiet. When I get upset or stressed out, I start counting. When I catch myself doing it, I force myself to stop. All these years later, counting is still a coping mechanism. I may have left isolation, but isolation has never left me.

The toxic combination of social isolation, sensory deprivation, and enforced idleness results in many psychiatric symptoms, including anxiety, depression, anger, impaired impulse control, paranoia, visual and auditory hallucinations, cognitive disturbances, obsessive thoughts, post-traumatic stress disorder, psychosis, self-harm, and suicide. Solitary confinement causes these things—imagine how much it exacerbates pre-existing mental illness!

Humans are naturally social beings, and the social pain that isolation inflicts can be the most torturous and damaging, affecting the brain in the same regions and manner as physical pain. This social pain can actually cause longer-term suffering than physical pain, due to the ability of humans to relive social pain months or even years later.

Multiple studies suggest that solitary confinement can fundamentally alter the brain’s structure in profound and permanent ways. The harm caused by solitary confinement can culminate in a complete breakdown of one’s identity. Even after a brief period of time, a prisoner is likely to descend into a mental fog in which alertness, attention, and concentration are all impaired.

This is a lasting trauma. This is torture. This is what is done in your name. We torture people and call it justice.

Anthony Ehlers is a writer incarcerated at Stateville Correctional Center

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Torture by any other name Read More »

The Lyric Theater is a family affair

For most high schoolers, a part-time job is a way to make a little money, get out of the house, and meet people you otherwise wouldn’t connect with outside of family or school. When Janet Fischer was a Chicago teen, she never expected that she’d have the rare privilege of being able to point to the exact spot where a seed from her family tree was planted. Its fruits would take the shape of a popular, local pizza chain and the reopening of a Blue Island landmark, the place where she fell in love at a ticket booth.

Blue Island’s Lyric Theater opened in 1917, but it has been shuttered on and off for decades. Closed since 1989, the Lyric Theater was reopened last summer by the Garetto family, preserving the space where their matriarch was taking tickets in the 1940s.

“I was 16 and 17 as a cashier in a little booth outside. It was, at that time, right in the middle of the theater near the sidewalk,” Fischer says. “I met a lot of people, and they seemed to like me, so it wasn’t like a job. It was really fun. I used to have an angora sweater. Mr. Atkins was the manager [stepping in the box to count the money], and he would say, ‘You’re getting it over my coat! Everyone’s going to start talking.’ He was just teasing.”

She lived on 118th and Longwood, blocks from the Blue Island-Chicago border.

“I got to see everyone in town. They all got to see me,” Fischer remembers, adding that she met a number of guys back then, but only one really stood out.

Angelo Garetto and his brother Larry, the Garetto Twins, ran a successful Blue Island music shop, giving lessons and performing around town. Angelo played the saxophone, Larry the accordion. Angelo was seven years older than Fischer, and he had to ask permission from her family to take her out.

“They weren’t too happy at first. But they got used to it. And he was very good to my grandma, my dad’s mother. He took her down food because she was alone. So they grew to love him,” she says. “I started dating him and before I knew it, we were engaged and married with children.”

Angelo Garetto and Janet Fischer early in their relationship. Courtesy Amanda Melvin / Garetto Family

Together, they had six kids. Two of them, Larry and Peter Garetto, would open Beggars Pizza in 1976, with a little help from dad Angelo, but all the siblings worked hard to get it off the ground.

“He opened it for me and my brother because we didn’t do so well in college,” says Larry Garetto, with a laugh.

Today Beggars boasts 27 locations in Chicago, the suburbs, and northwest Indiana. Peter Garetto died ten years ago, but Larry still owns it. When his daughter Amanda Melvin, who has marketing and operational duties at Beggars, was looking for another pizza shop location, she stumbled upon the shuttered Lyric Theater.

Melvin already knew the story of how her grandparents met and was curious about the building, so she asked her realtor about its status.

“I said, ‘What’s going on with that Lyric Theater?’ He was like, ‘Well, let me find out,’” remembers Melvin, who says at the time, the owner wasn’t ready to sell. A week later, though, the Lyric was put on the market “at a more reasonable price.” 

After talking about it with her father Larry and her uncle Ray Cantelo, they decided to go for it. 

“We didn’t really know exactly what we’re going to do, but we just knew it meant a lot to my dad and my grandma,” says Melvin.

This was 2019, and Blue Island’s MetroSouth Medical Center had just closed, leaving the local economy without a hospital and without workers, many of whom either lived in or near Blue Island and regularly patronized many local businesses.

“It just seemed like everyone was starting to abandon Blue Island. And my dad was heartbroken. So this was a way for him to do his part to really, not necessarily revitalize, but stop that downward slope that he felt was happening,” Melvin says.

The Lyric Theater has had several owners since it opened more than a hundred years ago. A fire engulfed the building in 1960, but everyone inside got out safely. The theater was at the center of a bustling business district, which included venues like the Blue Island Opera House, stores like JCPenney and Kline’s, and many restaurants that kept Blue Island’s Uptown area thriving. 

Melvin didn’t know what to expect when they got the keys.

“We saw a blank shell. It was not in good shape,” remembers Melvin. But the theater, which at one time was a space for dance and theater events, still had good bones.

“They had torn out all the movie theater seats. So it was a concrete floor, black walls. Upstairs was nothing. And when we looked at it, we just saw possibilities.”

What she didn’t see was a global pandemic on the horizon that would stop everything, including work on the Lyric, in early 2020.

“Beggars being my full-time job, I had to say, ‘This [theater] needs to go on the back burner.’ Because we need to survive. We need to survive this pandemic,” says Melvin. Supply chain issues also affected how they’d find a path forward.

“We saw basically the cost of every single thing that we were going to do triple,” she says. “We’re going to open a theater, which literally brings people together, when you cannot come together.”

Larry Garetto convinced his daughter to proceed, even if they couldn’t open right away. Ray Cantelo and his wife Janet are also part owners. They paid $90,000 for the building and spent another $100,000 to fix the sprinkler system, but remodeling costs, which included a new marquee, came in at around $3 million.

“They said we have to do it right. We can’t just do it half-assed,” Garetto says. “It was my commitment to invest in Blue Island.”

While still working at Beggars and the Lyric, Garetto bought the business next door, the popular Iversen’s Bakery, as Garetto says its owner was ready to close it for good after more than 60 years.

“I’m 68. I’m doing more than I want to do, but that’s OK. I’m having fun doing it,” says Garetto, who credits Amanda and her husband Pat Melvin with the vision and ideas to make the space come alive. She admits that without a designer, “every single finish, every single color, every single tile, every single door” was selected by her and her husband. 

One thing that was not going to be part of the Lyric’s future was that it would be exclusively a movie theater. Viewing habits had been shifting for years, and as the 1980s brought in multiplexes and as streaming options became more popular, the former one-screen theater space had to be reimagined.

“If we turned it into just a movie theater, we were likely to fail,” says Melvin, who gave the interior a 1940s supper club feel, with a large, sleek bar area and seating for more than 300 people, with private suites in a balcony area.

John Goldrick is thrilled the Lyric is back. He owns Big ’n Little Shoes on 111th and Kedzie and fondly remembers growing up on 118th and Hale, when he’d walk to the Lyric with his mother. Goldrick likes the new Lyric and says its presence will only attract other businesses.

“I think it’s a great idea. I would have never thought of it, but absolutely,” Goldrick says. “Life is a roller coaster. It [has] peaks and valleys. I think Blue Island right now is heading for one of those peaks, becoming vibrant again.”

Born-and-raised Blue Islander Pat Disabato also has great memories of the Lyric. The former sports columnist for the Daily Southtown says, back in the day, the 900+-seat theater made an impression.

“Growing up, I saw Rocky there. I saw Star Wars there as a kid. It was a big thing.”

After leaving the Southtown, Disabato says he wanted something different. He found it as the Lyric’s live events manager, handling everything from drag brunches to comedy shows, as well as live blues and rock concerts.

“If this was any other town, I would not have done it. But it was Blue Island, and I know what this means to the town,” says Disabato. “I love the Garetto family and the Cantelo family, so I’m like, ‘You know what, I got to see this through. I want to be a part of this.’” 

Melvin says they’re looking at “immersive” movie experiences. Over the summer, for a screening of Grease, the staff dressed up as Grease characters with a “Frosty Palace” diner pop-up inside and a classic car show outside the theater.

And in December, for a screening of It’s a Wonderful Life, each seat had a little bell and a small bag of rose petals, a nod to what Jimmy Stewart’s character finds in his pocket. The flowers came from a local florist.

“To hear the bells ring at the end of the movie, I mean, that might have been my favorite moment,” remembers Disabato.

A favorite moment for Melvin came from her five-year-old daughter Madelyn, who watches her do just about everything at the Lyric. It happened after seeing The Polar Express at a friend’s party.

“She goes, ‘Mom, give me a broom and a dustpan. There’s popcorn I gotta sweep up,’” says Melvin. “And she actually asked me, ‘Mom, when I grow up, can I work with you at the Lyric Theater?’ and I was like, of course you can!”

The Lyric Theater12952 Western, Blue Island708-972-0700lyrictheater.com

The Lyric’s mix of events includes music (a blues brunch with singer Stacy Brooks on February 4), comedy (the Vito Zatto Variety Show, a throwback to lounge shows, on February 24), drag extravaganzas (coming February 17, Lindsey Devereaux and friends with “Crazy, Sexy, Cool”), rock showcases featuring original acts (Eric Lindell on March 11), groups with retro sounds (Jonny Lyons on February 18), and, of course, more movies. 

Disabato says that like the variety of events, their audience comes from the suburbs but also from Chicago neighborhoods near and far. 

“Vernon Hills, Plainfield, Aurora. They are just finding out about us, still. So it’s been kind of organic,” Disabato says, on meeting people coming from different places. “South Loop. We had a big family here the other day from Lincoln Park and Lakeview. So it’s kind of crazy.”

He adds that the remodeled interior, with its midcentury modern accents and supper club, sets the tone for comfort and entertainment for people who say, “‘I want a good night, to be entertained. And have a nice evening with some nice cocktails and, you know, watch a good show,’” Disabato says, noting that the Lyric is the only venue that does what it does south of downtown Chicago.

“I mean, up north, you got the Genesee [Theatre in Waukegan], you got the Arcada [Theatre in St. Charles], and Des Plaines Theatre. So there’s some places up north, and they all have their niche, but down here, particularly, there’s nothing,” says Disabato, adding that the Lyric hopes to change that.

The Cantelo-Garetto family. Credit: George Poulous

Now in her 90s, Janet Fischer Garetto is living a full-circle moment; her home is near the bright Lyric Theater marquee, not far from where her family tree began to grow, and some relatives still call Blue Island home.

“It makes me happy that it’s open and alive again,” says Garetto. “Yeah, I think it’s beautiful. And it livens up the town. It’s good for everyone.”


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The Lyric Theater is a family affair Read More »

Torture by any other name

Solitary confinement has long been the punishment of choice for prisoners who draw the ire of prison officials. Its roots are at Cherry Hill, the world’s first penitentiary, built in Pennsylvania in 1829. It was founded by Quakers who believed that locking a prisoner away for months or years would reform them. Solitary confinement is the seminal philosophy of the criminal justice system in America.

After touring American prisons in 1831, Alexis de Tocqueville wrote that solitary “devours the victim incessantly and unmercifully; it does not reform, it kills.” 

In 1890, the Supreme Court found in the case In re Medley that many prisoners “fell, after even a short confinement, into a semi-fatuous condition, from which it was next to impossible to arouse them, and others became violently insane.” More than a century later, Justice Anthony Kennedy wrote, “Years on end of near-total isolation exact a terrible price . . . common side effects of solitary confinement include anxiety, panic, withdrawal, hallucinations, self-mutilation, and suicidal thoughts and actions.” Justice Sonia Sotomayor noted in 2018 that between 80,000 to 100,000 prisoners were held in some form of solitary confinement, the terms of which can range from a few days to decades.

In 2011, the United Nations declared solitary confinement to be torture. In 2014, the Committee Against Torture (which the U.S. is a member of) expressed concerns about America’s use of solitary confinement and recommended the U.S. limit the use of solitary confinement to “a measure of last resort and for as short a time as possible.” Other organizations followed suit, including the World Health Organization, the Association of Correctional Administrators, the American Bar Association, and the American Civil Liberties Union.

But in practice, solitary is not a measure of last resort, nor is it solely used in response to violent or predatory actions by prisoners. Jailhouse lawyers and politically active or vocal prisoners are frequently targeted by staff. The retaliation often manifests in fabricated disciplinary charges and months or years of solitary confinement.

Prison policymakers claim not to use solitary confinement anymore, disguising it behind a plethora of euphemistic terms: administrative detention, close management unit, control unit, disciplinary segregation unit, intensive management unit, involuntary protective custody, punitive segregation, restricted housing unit, security housing unit, special management unit, and supermax.

In Illinois, the preferred euphemisms are restricted housing, administrative detention, and indeterminate segregation.

I spent more than five and a half years in isolation, and I know what it can do. They threw me in a steel-fronted cell that had a box on the door and a small window. When it was time to eat, they unlocked the box, put my tray inside, closed the box, then opened the slide so I could grab my tray. They always covered the window so I had no human contact at all. These cells were reserved for those they especially wanted to hurt.

In solitary, you don’t notice it, but pretty quickly you begin to unravel. You pace the small cell, back and forth, back and forth. When I was a kid, I went to the zoo a few times. I used to see the tiger, who was always pacing back and forth. I used to wonder why he did that. Now I know. I felt like that animal, pacing back and forth. It almost became a compulsion.

You also begin to count. You count everything: the holes in the door, the bricks in the wall, the cracks, your steps, everything. This becomes compulsive. Your brain doesn’t stop; it’s looking for stimulation where there is none. Counting gives your mind something to do. When there is nothing, your brain invents things. It’s sensory deprivation taken to the extreme.

I became severely depressed and very paranoid. I convinced myself that the prison administration was trying to poison me. I didn’t eat for 25 days. Finally, I was told if I didn’t eat, I would be taken to court and force-fed. I said I would eat only if a nurse brought me my tray. I didn’t trust anyone else.

I realized I had to get ahold of myself or I wouldn’t be able to come back. Isolation is full of severely mentally ill people. IDOC does not have the staff or the patience to deal with such prisoners. They usually get written disciplinary reports and are buried in isolation. Unable to understand what’s going on or why, they end up spending years or decades there. I’ve seen friends who were sane lose their minds in isolation.

I talked to myself a lot. There was no one to talk to, so I had to become both sides of the conversation. I became my own best friend. I had nobody else. I was the only one there for myself.

I was able to get hold of the paranoia but not the depression. I thought about killing myself more often than I care to admit. The loneliness was unbearable. I felt like I didn’t matter. I began to question if I was even real. Was I a figment of my own imagination? Did I even exist? I began to cut myself, reasoning that if I bled, then I must exist. I bear those scars to this day. They remind me of when I was tortured and of just how little holds our minds together.

I came out of isolation a much different person. I didn’t talk; I was afraid of social situations. The paranoia I fought so hard to control came back. I was afraid people were going to hurt me. I didn’t know how to interact with people, and I didn’t understand social cues.

It’s been many years since I got out of isolation. Over time, and with a lot of difficult work, I was able to lose the paranoia. I know that I am real. I’m still socially awkward, and I get anxious around a lot of people. I’m quiet. When I get upset or stressed out, I start counting. When I catch myself doing it, I force myself to stop. All these years later, counting is still a coping mechanism. I may have left isolation, but isolation has never left me.

The toxic combination of social isolation, sensory deprivation, and enforced idleness results in many psychiatric symptoms, including anxiety, depression, anger, impaired impulse control, paranoia, visual and auditory hallucinations, cognitive disturbances, obsessive thoughts, post-traumatic stress disorder, psychosis, self-harm, and suicide. Solitary confinement causes these things—imagine how much it exacerbates pre-existing mental illness!

Humans are naturally social beings, and the social pain that isolation inflicts can be the most torturous and damaging, affecting the brain in the same regions and manner as physical pain. This social pain can actually cause longer-term suffering than physical pain, due to the ability of humans to relive social pain months or even years later.

Multiple studies suggest that solitary confinement can fundamentally alter the brain’s structure in profound and permanent ways. The harm caused by solitary confinement can culminate in a complete breakdown of one’s identity. Even after a brief period of time, a prisoner is likely to descend into a mental fog in which alertness, attention, and concentration are all impaired.

This is a lasting trauma. This is torture. This is what is done in your name. We torture people and call it justice.

Anthony Ehlers is a writer incarcerated at Stateville Correctional Center

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Torture by any other name Read More »

The Lyric Theater is a family affair

For most high schoolers, a part-time job is a way to make a little money, get out of the house, and meet people you otherwise wouldn’t connect with outside of family or school. When Janet Fischer was a Chicago teen, she never expected that she’d have the rare privilege of being able to point to the exact spot where a seed from her family tree was planted. Its fruits would take the shape of a popular, local pizza chain and the reopening of a Blue Island landmark, the place where she fell in love at a ticket booth.

Blue Island’s Lyric Theater opened in 1917, but it has been shuttered on and off for decades. Closed since 1989, the Lyric Theater was reopened last summer by the Garetto family, preserving the space where their matriarch was taking tickets in the 1940s.

“I was 16 and 17 as a cashier in a little booth outside. It was, at that time, right in the middle of the theater near the sidewalk,” Fischer says. “I met a lot of people, and they seemed to like me, so it wasn’t like a job. It was really fun. I used to have an angora sweater. Mr. Atkins was the manager [stepping in the box to count the money], and he would say, ‘You’re getting it over my coat! Everyone’s going to start talking.’ He was just teasing.”

She lived on 118th and Longwood, blocks from the Blue Island-Chicago border.

“I got to see everyone in town. They all got to see me,” Fischer remembers, adding that she met a number of guys back then, but only one really stood out.

Angelo Garetto and his brother Larry, the Garetto Twins, ran a successful Blue Island music shop, giving lessons and performing around town. Angelo played the saxophone, Larry the accordion. Angelo was seven years older than Fischer, and he had to ask permission from her family to take her out.

“They weren’t too happy at first. But they got used to it. And he was very good to my grandma, my dad’s mother. He took her down food because she was alone. So they grew to love him,” she says. “I started dating him and before I knew it, we were engaged and married with children.”

Angelo Garetto and Janet Fischer early in their relationship. Courtesy Amanda Melvin / Garetto Family

Together, they had six kids. Two of them, Larry and Peter Garetto, would open Beggars Pizza in 1976, with a little help from dad Angelo, but all the siblings worked hard to get it off the ground.

“He opened it for me and my brother because we didn’t do so well in college,” says Larry Garetto, with a laugh.

Today Beggars boasts 27 locations in Chicago, the suburbs, and northwest Indiana. Peter Garetto died ten years ago, but Larry still owns it. When his daughter Amanda Melvin, who has marketing and operational duties at Beggars, was looking for another pizza shop location, she stumbled upon the shuttered Lyric Theater.

Melvin already knew the story of how her grandparents met and was curious about the building, so she asked her realtor about its status.

“I said, ‘What’s going on with that Lyric Theater?’ He was like, ‘Well, let me find out,’” remembers Melvin, who says at the time, the owner wasn’t ready to sell. A week later, though, the Lyric was put on the market “at a more reasonable price.” 

After talking about it with her father Larry and her uncle Ray Cantelo, they decided to go for it. 

“We didn’t really know exactly what we’re going to do, but we just knew it meant a lot to my dad and my grandma,” says Melvin.

This was 2019, and Blue Island’s MetroSouth Medical Center had just closed, leaving the local economy without a hospital and without workers, many of whom either lived in or near Blue Island and regularly patronized many local businesses.

“It just seemed like everyone was starting to abandon Blue Island. And my dad was heartbroken. So this was a way for him to do his part to really, not necessarily revitalize, but stop that downward slope that he felt was happening,” Melvin says.

The Lyric Theater has had several owners since it opened more than a hundred years ago. A fire engulfed the building in 1960, but everyone inside got out safely. The theater was at the center of a bustling business district, which included venues like the Blue Island Opera House, stores like JCPenney and Kline’s, and many restaurants that kept Blue Island’s Uptown area thriving. 

Melvin didn’t know what to expect when they got the keys.

“We saw a blank shell. It was not in good shape,” remembers Melvin. But the theater, which at one time was a space for dance and theater events, still had good bones.

“They had torn out all the movie theater seats. So it was a concrete floor, black walls. Upstairs was nothing. And when we looked at it, we just saw possibilities.”

What she didn’t see was a global pandemic on the horizon that would stop everything, including work on the Lyric, in early 2020.

“Beggars being my full-time job, I had to say, ‘This [theater] needs to go on the back burner.’ Because we need to survive. We need to survive this pandemic,” says Melvin. Supply chain issues also affected how they’d find a path forward.

“We saw basically the cost of every single thing that we were going to do triple,” she says. “We’re going to open a theater, which literally brings people together, when you cannot come together.”

Larry Garetto convinced his daughter to proceed, even if they couldn’t open right away. Ray Cantelo and his wife Janet are also part owners. They paid $90,000 for the building and spent another $100,000 to fix the sprinkler system, but remodeling costs, which included a new marquee, came in at around $3 million.

“They said we have to do it right. We can’t just do it half-assed,” Garetto says. “It was my commitment to invest in Blue Island.”

While still working at Beggars and the Lyric, Garetto bought the business next door, the popular Iversen’s Bakery, as Garetto says its owner was ready to close it for good after more than 60 years.

“I’m 68. I’m doing more than I want to do, but that’s OK. I’m having fun doing it,” says Garetto, who credits Amanda and her husband Pat Melvin with the vision and ideas to make the space come alive. She admits that without a designer, “every single finish, every single color, every single tile, every single door” was selected by her and her husband. 

One thing that was not going to be part of the Lyric’s future was that it would be exclusively a movie theater. Viewing habits had been shifting for years, and as the 1980s brought in multiplexes and as streaming options became more popular, the former one-screen theater space had to be reimagined.

“If we turned it into just a movie theater, we were likely to fail,” says Melvin, who gave the interior a 1940s supper club feel, with a large, sleek bar area and seating for more than 300 people, with private suites in a balcony area.

John Goldrick is thrilled the Lyric is back. He owns Big ’n Little Shoes on 111th and Kedzie and fondly remembers growing up on 118th and Hale, when he’d walk to the Lyric with his mother. Goldrick likes the new Lyric and says its presence will only attract other businesses.

“I think it’s a great idea. I would have never thought of it, but absolutely,” Goldrick says. “Life is a roller coaster. It [has] peaks and valleys. I think Blue Island right now is heading for one of those peaks, becoming vibrant again.”

Born-and-raised Blue Islander Pat Disabato also has great memories of the Lyric. The former sports columnist for the Daily Southtown says, back in the day, the 900+-seat theater made an impression.

“Growing up, I saw Rocky there. I saw Star Wars there as a kid. It was a big thing.”

After leaving the Southtown, Disabato says he wanted something different. He found it as the Lyric’s live events manager, handling everything from drag brunches to comedy shows, as well as live blues and rock concerts.

“If this was any other town, I would not have done it. But it was Blue Island, and I know what this means to the town,” says Disabato. “I love the Garetto family and the Cantelo family, so I’m like, ‘You know what, I got to see this through. I want to be a part of this.’” 

Melvin says they’re looking at “immersive” movie experiences. Over the summer, for a screening of Grease, the staff dressed up as Grease characters with a “Frosty Palace” diner pop-up inside and a classic car show outside the theater.

And in December, for a screening of It’s a Wonderful Life, each seat had a little bell and a small bag of rose petals, a nod to what Jimmy Stewart’s character finds in his pocket. The flowers came from a local florist.

“To hear the bells ring at the end of the movie, I mean, that might have been my favorite moment,” remembers Disabato.

A favorite moment for Melvin came from her five-year-old daughter Madelyn, who watches her do just about everything at the Lyric. It happened after seeing The Polar Express at a friend’s party.

“She goes, ‘Mom, give me a broom and a dustpan. There’s popcorn I gotta sweep up,’” says Melvin. “And she actually asked me, ‘Mom, when I grow up, can I work with you at the Lyric Theater?’ and I was like, of course you can!”

The Lyric Theater12952 Western, Blue Island708-972-0700lyrictheater.com

The Lyric’s mix of events includes music (a blues brunch with singer Stacy Brooks on February 4), comedy (the Vito Zatto Variety Show, a throwback to lounge shows, on February 24), drag extravaganzas (coming February 17, Lindsey Devereaux and friends with “Crazy, Sexy, Cool”), rock showcases featuring original acts (Eric Lindell on March 11), groups with retro sounds (Jonny Lyons on February 18), and, of course, more movies. 

Disabato says that like the variety of events, their audience comes from the suburbs but also from Chicago neighborhoods near and far. 

“Vernon Hills, Plainfield, Aurora. They are just finding out about us, still. So it’s been kind of organic,” Disabato says, on meeting people coming from different places. “South Loop. We had a big family here the other day from Lincoln Park and Lakeview. So it’s kind of crazy.”

He adds that the remodeled interior, with its midcentury modern accents and supper club, sets the tone for comfort and entertainment for people who say, “‘I want a good night, to be entertained. And have a nice evening with some nice cocktails and, you know, watch a good show,’” Disabato says, noting that the Lyric is the only venue that does what it does south of downtown Chicago.

“I mean, up north, you got the Genesee [Theatre in Waukegan], you got the Arcada [Theatre in St. Charles], and Des Plaines Theatre. So there’s some places up north, and they all have their niche, but down here, particularly, there’s nothing,” says Disabato, adding that the Lyric hopes to change that.

The Cantelo-Garetto family. Credit: George Poulous

Now in her 90s, Janet Fischer Garetto is living a full-circle moment; her home is near the bright Lyric Theater marquee, not far from where her family tree began to grow, and some relatives still call Blue Island home.

“It makes me happy that it’s open and alive again,” says Garetto. “Yeah, I think it’s beautiful. And it livens up the town. It’s good for everyone.”


Read More

The Lyric Theater is a family affair Read More »