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Fans and friends help beloved DJ Teri Bristol pay her medical billson March 3, 2020 at 8:00 pm

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Teri Bristol - PHOTO BY MICHELLE LAPORTE

Gossip Wolf has been tearing it up at Chicago clubs to the mixes of legendary DJ Teri Bristol since the mid-90s. Fellow enthusiasts of late-night booty shaking no doubt remember her epic sets at Medusa’s, at Smart Bar, and alongside Psycho-Bitch at Crobar’s Sunday-night G.L.E.E. Club (aka Gay, Lesbian, Everyone’s Equal). In January, Bristol was hospitalized in Tennessee for kidney failure; she’s had surgery and gone on dialysis, and her bills are piling up. To raise money, a slew of friends and top-notch DJs–including Greg Haus, DJ Heather, Jeff Pazen, Jevon Jackson, Boy Alberto, and Blu 9–will spin at the One Love for Teri Bristol fund-raiser at Smart Bar on Saturday, March 28. Fans can also donate to a GoFundMe page set up by Bristol’s loved ones. Get well soon, Teri! This wolf can’t wait to see you back behind the decks!

Impulsive Hearts have a history of dropping summer-themed jams just when it seems like warm weather might never come back–plus they use their music to do good! The local five-piece, led by singer-songwriter Danielle Sines, donated proceeds from a 2019 EP to Chicago sexual-violence-prevention nonprofit Resilience. Their excellent sophomore full-length, Cry All The Time, arrives Friday, March 6 (via Midwest Action and Cavity Search), and a portion of vinyl sales will benefit Girls Rock! Chicago. Impulsive Hearts play Thursday, March 19, at Sleeping Village as part of Midwest Action’s Spring Showcase with Bev Rage & the Drinks, Harvey Fox, and Richard Album.

Last week, oddball soul visionary Zango the Third released a charming, synth-based album called Boketto, which he wrote following “a profound experience with my brother that prepped me for tragedies that happened in the coming months.” The contemplative mood he lends to his easygoing melodies makes songs such as the yacht-rock-tinged “Tree Bark Crown (Resurface)” even better. v

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Fans and friends help beloved DJ Teri Bristol pay her medical billson March 3, 2020 at 8:00 pm Read More »

The Make-Up bring their clever, liberation-heavy soul-punk back to the masseson March 3, 2020 at 10:50 pm

The wit of Ian Svenonius is something to which we’ve never quite been privy, a clever commentary between him and himself that’s probably brilliant despite being totally impenetrable to everyone else. (Have you read his book Supernatural Strategies for Making a Rock ‘n’ Roll Group?) Sometimes you have no choice but to respect an artist’s commitment, even if you can’t totally parse their ambition. Lucky for us, we’ve been privileged to watch Svenonius live his own legend for three decades, dressed to the nines and commanding stages with a panache that he’d probably be the first to say is borrowed from 60s soul front men. Though he first emerged in the late 80s as front man of D.C. punk band Nation of Ulysses, Svenonius is perhaps most famous for his stint leading the Make-Up, which formed in 1995. Though they’ve played a handful of reunion shows since breaking up in 2000, Svenonius recently resurrected that posse, which in the late 90s rethought what it meant to be an underground, politically charged punk band. The Make-Up’s stripped-clean, lo-fi sound leans hard into gospel and soul, preaches much more than it snarls, and ultimately paved a path for a glut of early-2000s imitators who aimed to smash the state in three-piece suits. Today their records, such as 1997’s Sound Verite and 1999’s Save Yourself (both released on K), sound modern, thanks in part to Svenonius’s own resilience. The Make-Up will hold up live because he won’t let his vintage vision–and, by proxy, his vision of the band–die. And we should all feel blessed that he’s keeping on, regardless of the project, new or old. v

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The Make-Up bring their clever, liberation-heavy soul-punk back to the masseson March 3, 2020 at 10:50 pm Read More »

Chicago named #1 city to celebrate St. Patrick’s Dayon March 3, 2020 at 2:09 pm

Chicago Eats

Chicago named #1 city to celebrate St. Patrick’s Day

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Chicago named #1 city to celebrate St. Patrick’s Dayon March 3, 2020 at 2:09 pm Read More »

Even before the stock market tanked, Trump’s economy hasn’t been great for me. Here’s why.on March 3, 2020 at 3:33 pm

Opinionated Woman

Even before the stock market tanked, Trump’s economy hasn’t been great for me. Here’s why.

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Even before the stock market tanked, Trump’s economy hasn’t been great for me. Here’s why.on March 3, 2020 at 3:33 pm Read More »

Zelda — Petraits Rescueon March 3, 2020 at 5:52 pm

Pets in need of homes

Zelda — Petraits Rescue

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Zelda — Petraits Rescueon March 3, 2020 at 5:52 pm Read More »

Here is the most authoritative and comprehensive information on the Coronaviruson March 3, 2020 at 5:51 pm

The Barbershop: Dennis Byrne, Proprietor

Here is the most authoritative and comprehensive information on the Coronavirus

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Here is the most authoritative and comprehensive information on the Coronaviruson March 3, 2020 at 5:51 pm Read More »

“Where Have You Gone, Joe DiMaggio?”on March 3, 2020 at 4:13 pm

Cubs Den

“Where Have You Gone, Joe DiMaggio?”

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“Where Have You Gone, Joe DiMaggio?”on March 3, 2020 at 4:13 pm Read More »

Yvonne Farrell and Shelley McNamara Receive the 2020 Pritzker Architecture Prizeon March 3, 2020 at 6:34 pm

Arch-X-Perience

Yvonne Farrell and Shelley McNamara Receive the 2020 Pritzker Architecture Prize

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Yvonne Farrell and Shelley McNamara Receive the 2020 Pritzker Architecture Prizeon March 3, 2020 at 6:34 pm Read More »

Vaginal Davis steps into the mainstream spotlighton March 3, 2020 at 6:00 pm

The goddess of queer punk Vaginal Davis burst onto the Los Angeles performance scene in the late 1970s as the front woman for the art-punk band Afro Sisters, then became an integral influence in drag performance and a matriarch for performance artists. Born intersex during a time when doctors performed medical interventions in order to assign gender, Davis’s mother refused. While her birth certificate stated male, her family used she/her pronouns. Honing in on her German, Jewish, Mexican, and French-creole heritage, she would go on to create fictional characters that were “multiracial and maxi-gendered.”

Davis has played a pivotal role in critiquing politics, white supremacy, identity, and sexuality. In her 1999 video piece, The White to be Angry, Davis is particularly focused on these themes. The 19-minute capsule of found footage, 90s commercials, and montages of televangelist Robert Tilton is on view in the modern wing of the Art Institute of Chicago. The video is set to a soundtrack by Davis’s band Pedro, Muriel & Esther (PME), which recorded their first full-length album, also titled The White to be Angry, in the mid-90s in Chicago. While in PME, Davis performed as Clarence, a white supremacist from Idaho. She even wore a ZZ Top beard.

Davis’s first solo exhibition didn’t happen until 2012 and commercial gallery representation didn’t open up for the artist until 2013. The Art Institute of Chicago is the first museum to collect Davis’s video work in a permanent collection. Davis told Dazed in a recent interview, “For someone who’s sort of an outsider artist
. . . well, it’s a big deal for somebody like me. A funky, funky person like me!”

Davis was a member of the subculture group Homocore, which hosted a queer punk night in the mid-90s that influenced the Riot Grrrl movement and featured bands including Sleater-Kinney, Los Crudos, Tribe 8, Bikini Kill, the Butchies, and more. The decade-long monthly queer night expanded to cities like Detriot, Minneapolis, and New York, and finally ended with Le Tigre’s Chicago debut in 2000. Davis was closely tied to the Queercore zine movement, where she published Fertile La Toyah Jackson from 1982 to 1991, which she turned into a video performance project. At Homocore events, Davis would share zines, present lo-fi films, and perform poetry.

The White to be Angry, shot on a Hi8 camcorder with virtually no budget, acts as a visual album for PME, following songs that reference directors (Woody Allen, Bruce LaBruce, and Clive Barker). Each segment includes an original song and footage that centers around a skinhead grappling with his sexuality, resulting in violent hate crimes. The lo-fi video piece feels especially current. We are experiencing a flare under the current cheese-puff administration similar to the queer punk revolution that sparked fire during the Reagan era. Featuring scenes of BDSM, violence, blow jobs, religion, and white supremacy, Davis incorporates dark humor to explicate complex themes still relevant to history and society. The film focuses on the othering of people and how society ruminates on that hatred until it explodes with dangerous and destructive violence.

Davis has always fit in-between the punk and the drag scenes. “Gay drag queens hated me,” she famously told Jose Esteban Munoz in the book The Feminism and Visual Culture Reader. “They didn’t understand it. I wasn’t really trying to alter myself to look like a real woman. I didn’t wear false eyelashes or fake breasts. It wasn’t about the realness of traditional drag–the perfect flawless makeup. I just put on a little lipstick, a little eyeshadow and a wig and went there.” Munoz, a queer writer and critic, was the first to coin the term “terrorist drag,” which was used to describe Davis’s work in particular. Davis focuses on the repulsive, the undesirable, the revolting reality of society and mirrors that in her performances as well.

Viewers of The White to be Angry are meant to feel discomfort, either from their own prejudices or the abhorrent honesty portrayed in the scenes. Images with Confederate flags, discussions using intolerant racist language, and crimes against the LGBTQ community are thrust onto the viewer. A young mother sitting next to me in the gallery softly left the space with her stroller midway through the video. A man giving a blow job flashed across the screen as she rounded the corner towards the exit. The couple to my left shifted uncomfortably in their seats. The roughness in the film is contextual but also applies to scenes cut from cable television coupled with the editing style that give this piece a “home project” feel that celebrates the weird, perverse, DIY, and outsider aesthetics. Davis’s voice, presence, and art have the unwavering power of remaining relevant for nearly five decades. Being born in the underground clubs of LA and traversing esteemed museums across the globe, Davis has proven that being your bona fide self is still the most punk rock thing you can do. v

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Vaginal Davis steps into the mainstream spotlighton March 3, 2020 at 6:00 pm Read More »

Chicago Bears: Trade packages for Trai Turneron March 3, 2020 at 3:00 pm

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Carolina Panthers, Trai Turner

Carolina Panthers (Photo by Jennifer Stewart/Getty Images)

The Chicago Bears have a hole at the offensive guard position and the Carolina Panthers just put a 26-year old, Pro Bowler on the trade market.

Think of the Chicago Bears offensive line as a sinking ship. The Halas hopeful are currently taking on water at a rapid pace, and don’t seem to know if there are multiple holes within their vessel. What they do know? Is that former Pro Bowler, Kyle Long has decided to step away from the game of football.

What did this create? By far the biggest hole upon S.S. Halas. While General Manager Ryan Pace was expecting to have to tweak some things to stay afloat, it wasn’t obvious that there would be a Chicago Public Works sized pot-hole to fill.

As Ryan Pace tells those aboard to start filling buckets of water to toss overboard, a glimmer of hope arises from far out into the distance… Pace stretches out, grabs his binoculars, and it’s then that he lets out a sigh of relief. A plug-and-play offensive lineman has emerged from the depths of the east coast; just outside the City of Charleston. Ryan Pace smiles and starts to believe that he may just be able to get this ship to shore.

Storytime is always fun, but what does this all mean exactly? Well, the rebuilding Carolina Panthers are hoping to sell-high on the valuable assets that they still have under contract. According to multiple reports, the Carolina Panthers are trying to shop guard Trai Turner.

Turner has made five straight Pro Bowls, and currently has 2-years remaining on the 4-year, $45 million deal he signed with the Panthers back in 2017. Why does this matter for the Bears? Well, striking a deal with Carolina would help solidify Chicago’s biggest hole across the offensive line. With that being said, let us examine a couple of trade packages that I believe would make sense for both teams.

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Chicago Bears: Trade packages for Trai Turneron March 3, 2020 at 3:00 pm Read More »