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Chicago firefighter dies of ‘complications of COVID-19,’ fire officials sayon April 8, 2020 at 2:44 am

A Chicago firefighter died Tuesday evening after a battle with the coronavirus, according to a Chicago Fire Department spokesman.

“CFD has lost one of our own to complications of COVID-19. Firefighter Mario Araujo, a proud member of CFD Truck Company 25 passed away this evening,” department spokesman Larry Langford tweeted Tuesday.

Araujo, 49, joined the fire department in October 2003 and spent most of his career on Truck 25, which operates out of Engine 102 in Rogers Park on the North Side, Langford said.

“This tragic loss underscores the seriousness that we face as a city and a nation,” Langford said. “CFD members put themselves in harm’s way without hesitation to selflessly uphold the oath they took to be there for every person they encounter during an emergency situation.”

The Cook County medical examiner’s office did not immediately provide details about the death.

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Chicago firefighter dies of ‘complications of COVID-19,’ fire officials sayon April 8, 2020 at 2:44 am Read More »

Chicago Blackhawks: Analyzing every No. 1 pick since Patrick Kaneon April 7, 2020 at 3:00 pm

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Chicago Blackhawks: Analyzing every No. 1 pick since Patrick Kaneon April 7, 2020 at 3:00 pm Read More »

Chicago Bulls: John Paxson could sacrifice himself for the teamon April 7, 2020 at 7:24 pm

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Chicago Bulls: John Paxson could sacrifice himself for the teamon April 7, 2020 at 7:24 pm Read More »

The untold story of Joe Mantegna’s teenage garage bandon April 7, 2020 at 4:15 pm

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Since 2004 Plastic Crimewave (aka Steve Krakow) has used the Secret History of Chicago Music to shine a light on worthy artists with Chicago ties who’ve been forgotten, underrated, or never noticed in the first place.


If you didn’t know that actor Joe Mantegna played in a garage band called the Apocryphals in high school and college, you’re not alone. I had the privilege of getting the story from the man himself, and as far as I’m aware, what you’re about to read is the most detailed account of the group’s history published anywhere.

Mantegna was born in Chicago to Italian immigrants on November 13, 1947, and as a kid he regularly attended his older brother’s accordion recitals. He didn’t initially have much interest in making music himself–he got an earlier start as an actor, playing a dog and a pixie in hospital shows while being treated for rheumatic fever at age eight. Mantegna does remember entertaining his family by doing an impression of popular singer Johnnie Ray, though, specifically his 1951 tune “The Little White Cloud That Cried.”

During Mantegna’s junior year at Morton East High School in Cicero, his English class was assigned a project on British culture. His classmates Art Stout, Ricky Johnson, and Neal Sordelli decided it’d be hilarious to make their project a Beatles tribute band (it was 1963, after all), so they christened themselves the Weasels and donned Beatles wigs. They couldn’t be the Fab Four with only three kids, though, and they needed somebody to play bass and sing. Mantegna could carry a tune but couldn’t play an instrument, so they got him a regular guitar that he learned his way around well enough to get by, sticking to the lowest four strings as though it were a bass. The Weasels were an instant hit, and suddenly started getting invites to play local sock hops and teen dances–which convinced the band there was actually money to be made.

They got encouragement from Mantegna’s mentor and drama teacher at Morton East, Jack Leckel, who also ran the theater departments at Morton West in Berwyn and a nearby junior college. Leckel came up with the name “the Apocryphals” (the band didn’t even know what it meant at first) and helped them buy their first sound equipment. He also suggested they wear frills, pearls, and one glove, but he was a little too far ahead of his time for Chicago. “We just thought of ourselves as a rock ‘n’ roll band, not a glam band,” Mantegna says. “We’re thinking, ‘What, this is nuts!’ But then bands like the Beau Brummels came along and did stuff like that.”

Mantegna got a real bass at a pawn shop, and when Stout and Johnson left the Apocryphals, the band brought aboard drummer Tom Massari and guitarist Chris Montagna. Leckel asked the group to write a song for a school play, so Mantegna and Sordelli came up with “Bernardine”–which in 1965 became the A side of the Apocryphals’ first small-press 45 (Leckel chose the B side, “Gloomy Sunday,” aka “the Hungarian Suicide Song,” made famous in the States by a Billie Holiday cover in ’41).

The band did mostly R&B covers, gigging at north-side clubs such as the Cheetah, the Holiday Ballroom, and My Sister’s Place. They ended up playing with several notable locals, including the Missing Links (three members of which would help form the Chicago Transit Authority in 1968) and a very green Ides of March (whose front man, future superstar Jim “Eye of the Tiger” Peterik, got his first studio experience playing tambourine with the Apocryphals). They eventually secured management with Joe Sugarman, who in the 90s would strike it rich as the creator of BluBlocker sunglasses. In the late 60s he brought the Apocryphals to the Mad label, founded by bar-walking sax honker Tommy Jones, and it released three of the band’s five singles. Sugarman also helped the Apocryphals land opening slots for bigger national acts, among them Paul Revere & the Raiders and Sam the Sham & the Pharaohs. In April 1968, they warmed up for Neil Diamond the night after Dr. Martin Luther King Jr. was assassinated.

Mantegna began studies at the Goodman School of Drama at DePaul in 1967, and until ’69 he was able to keep playing in the band. But as soon as he made his professional acting debut–a role in a 1969 production of Hair that required him to do eight shows per week, spread over six days–the writing was on the wall. The rest of the band had been wanting to move in a heavier direction (you can hear hints of it on the psychedelic Sordelli original “Images”), so the Apocryphals called it a day. The other three members added some players and carried on as the horn band Rajah, with Mantegna occasionally filling in on vocals until he got another role in Godspell. Massari, Sordelli, and Mantegna remain friends to this day–and Mantegna is also close with the founders of Chicago he met through the Missing Links. v




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Mavis Staples drops a benefit single to help Chicago seniors survive the pandemicon April 7, 2020 at 5:20 pm

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Mavis Staples at the 2019 Pitchfork Music Festival - TIM NAGLE

During her rousing afternoon set at last summer’s Pitchfork Music Festival, Chicago soul and gospel legend Mavis Staples claimed she was thinking of running for president to help get rid of “the orange face up in the office.” Let’s be frank–she wouldn’t even have to ask for Gossip Wolf’s vote! On Friday, Staples dropped “All in It Together,” a slippery, Stones-y new single she wrote with longtime collaborator Jeff Tweedy that benefits the Senior Viral Response program of Chicago nonprofit My Block My Hood My City, which aims to get hand sanitizer, groceries, and other necessities to isolated members of the city’s aging population during the COVID-19 pandemic. It’s worth buying just for the cause, but you also get to hear an amazing ensemble that includes Tweedy’s Wilco bandmate Glenn Kotche, singer Akenya Seymour, and the terrific honky-tonk piano of Scott Ligon. The song is selling via Bandcamp for $1 or more, so use that “more” option if you can!

For three weeks now, experimental musician Mukqs, aka Hausu Mountain cofounder Maxwell Allison, has released a new weekly EP, recorded live with no overdubs, straight to Bandcamp. He began March 20 with the glitchy, glassy Anaglyph, made by running old recordings through a sampler and loop pedals. He followed it up March 27 with the whimsical Specular, and on April 2 he dropped the anxious, warped Choronzon. He intends to keep going for the foreseeable future–thanks to Mukqs for something to look forward to while we’re stuck at home!

Gossip Wolf caught wind of rising local soul man Nate Barksdale after he dropped the sophisticated EP Neon Soul in September, and he’s since self-released three more. On the latest EP, last month’s Spiritual, Barksdale colors his luxurious melodies with touches of funk and hip-hop that bring out the earthiness in his sensual voice. He’s still on the Tonic Room schedule for May 14, but we’ll see how that goes! v

Got a tip? Tweet @Gossip_Wolf or e-mail [email protected].

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Mavis Staples drops a benefit single to help Chicago seniors survive the pandemicon April 7, 2020 at 5:20 pm Read More »

ISU’s Megginson playing a happier, healthier tuneon April 7, 2020 at 9:49 am

Prairie State Pigskin

ISU’s Megginson playing a happier, healthier tune

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ISU’s Megginson playing a happier, healthier tuneon April 7, 2020 at 9:49 am Read More »

The tragic flaw of the national response to the pandemicon April 7, 2020 at 3:36 pm

The Quark In The Road

The tragic flaw of the national response to the pandemic

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The tragic flaw of the national response to the pandemicon April 7, 2020 at 3:36 pm Read More »

Chicago Bulls: Ranking every 1st round pick from 2010’son April 7, 2020 at 11:00 am

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Chicago Bulls: Ranking every 1st round pick from 2010’son April 7, 2020 at 11:00 am Read More »

Chicago Cubs: Re-visiting the Derrek Lee tradeon April 7, 2020 at 12:00 pm

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Chicago Cubs: Re-visiting the Derrek Lee tradeon April 7, 2020 at 12:00 pm Read More »

Chicago Bears: Why Nagy, not Pace, encouraged Foles tradeon April 7, 2020 at 1:00 pm

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Chicago Bears: Why Nagy, not Pace, encouraged Foles tradeon April 7, 2020 at 1:00 pm Read More »