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A short list of candidates for UIC basketball coachon March 21, 2020 at 3:46 pm

The COVID-19 pandemic has changed college basketball’s offseason landscape.

While you would think the cancellation of NCAA postseason tournaments would speed up the actual hiring process, the coronavirus has definitely slowed it down.

The traditional March coaching turnstile has slowed across the country. But the UIC job is one that’s more coveted than some would think following the release of former head coach Steve McClain after five seasons on the job.

UIC has a fresh face and new man in charge in Director of Athletics Michael Lipitz, who was hired last October after eight-plus years at North Carolina State. Every coach would prefer the boss he works for to be the one who hired him, so the opportunity to be Lipitz’s “guy” going forward is appealing.

The hope is the UIC athletics infrastructure makes positive strides moving forward under Lipitz, which would only advance the basketball program.

Plus, UIC has a fertile recruiting ground with an endless talent pool in the Chicago area, throughout Illinois and one that extends into Wisconsin, Indiana and Michigan. The Flames play in a very winnable Horizon League and have strong resources in comparison to other teams in the conference.

There are long-shots, obvious names and some outside-the-box candidates in every college coaching search. Here is a short list of some prime candidates who are poised to make a jump from hot assistant coach to up-and-coming head coach and might fit the UIC profile (listed alphabetically).

Rashon Burno, Arizona State assistant

Coach Bobby Hurley’s associate head coach in Tempe has ties to Chicago from his playing days at DePaul from 1998-2002. Burno, who blends personality with toughness and competitiveness, has learned from some great ones.

Burno played his high school ball in New Jersey under legendary prep coach Bob Hurley, Sr., and he sat on the bench beside coaching star Billy Donovan at Florida, where he went deep into the Jabari Parker sweepstakes. More impressively, he was an assistant coach on teams that went to a Final Four and an Elite Eight while at Florida.

He recruited former Thornton star Alonzo Verge to ASU and had the Sun Devils involved with Morgan Park star Adam Miller.

This is a head-coach-in-waiting and it won’t be long before he’s running his own program.

Chin Coleman, Illinois assistant

A long shot due to Coleman’s youth, short stint as a high-major assistant and that he was once on fired UIC coach Steve McClain’s staff.

But Coleman is at the flagship state university, and he’s Chicago through-and-through. He has city ties and roots in the local prep and grassroots scene as a former coach with the Mac Irvin Fire club program and as an assistant coach at Whitney Young. He’s helped Brad Underwood revitalize the Illinois basketball program, helping land Morgan Park stars Ayo Dosunmu and Adam Miller.

Jerrance Howard, Kansas assistant

The Peoria native is a well-known name around Chicago after his years as an assistant at Illinois and while continuing to recruit Chicago

as an assistant at both SMU and Kansas. The high-energy Howard has been a part of a monster program at KU and experienced a ton of success under coach Bill Self the past six seasons, including being a part of a Final Four team in 2017-18.

Ben Johnson, Xavier assistant

A sharp, polished, all-around assistant coach who in the past couple of years has been deeply involved in head coach openings. He’s had stops at Northern Iowa, Nebraska, Minnesota and currently Xavier. The experience coaching in urban college settings at Xavier and Minnesota would be beneficial. He’s a key, hands-on aide who has been a part of NCAA Tournament teams at both Northern Iowa and Minnesota while helping the Xavier program get back on track this past season.

Luke Murray, Louisville assistant

Murray is a hot assistant coaching name who is working his way to a top job. Now it’s a matter of what job will tempt him to leave a basketball thoroughbred like Louisville? Murray emerged as a young head coach candidate while working for Chris Mack at both Xavier and Louisville. He was a part of three NCAA Tournament teams while at Xavier, one with Louisville and was part of a top 25 team with the Cardinals this past season.

Regarded as an exceptional recruiter, Murray helped bring in a top 10 recruiting class in 2019 as the Cardinals’ recruiting coordinator. Murray was also instrumental in the recruitment of Bryce Hopkins, a 2021 Louisville commit who plays locally at Fenwick.

Roger Powell Jr., Gonzaga assistant

There is certainly name recognition with the very likable Roger Powell, but he would be more than just a flashy hire. The fast-rising assistant coach is in a great spot at a college basketball giant, so he can afford to be a little picky. But the Joliet native and former Illinois star has a natural presence about him. He’s on the fast-track and will be a head coach sooner than later, but he may be better suited to wait.

Craig Robinson, New York Knicks executive

An outside-the-box choice and the lone name on the list with head coaching experience at the college level.

A recognized name with high-major head coaching experience is a big plus. The resume on paper, with an overall head coaching record of 123-132 at Brown and Oregon State may not stack up, though it did come at two very challenging coaching spots. The vast basketball experience and strong Chicago ties — a native of Chicago, former Northwestern assistant and brother-in-law of Barack Obama — are intriguing.

Daniyal Robinson, Iowa State assistant

The former Rock Island native has been on the cusp of landing a head coaching job at the mid-major level in recent years. He’s spent the past five seasons at Iowa State and reached the NCAA Tournament three times with the Cyclones. Robinson, who has heavily recruited the Chicago area throughout his career, has had assistant stints at both Illinois State and Loyola under coach Porter Moser.

Luke Yaklich, Texas assistant

The former Joliet Township head coach and current associate head coach for Shaka Smart at Texas has had a meteoric rise in the college ranks. He spent four years at Illinois State before making a name for himself as John Beilein’s assistant at Michigan, where he was a part of back-to-back Sweet Sixteen teams and a team that reached the NCAA championship game.

The Illinois native is extremely comfortable and familiar recruiting the state of Illinois and has relationships with current high school coaches and club programs across the state.

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A short list of candidates for UIC basketball coachon March 21, 2020 at 3:46 pm Read More »

Chicago Blackhawks: 3 summer 2019 moves that should get Bowman firedon March 21, 2020 at 11:00 am

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Chicago Blackhawks: 3 summer 2019 moves that should get Bowman firedon March 21, 2020 at 11:00 am Read More »

Chicago Bears: 3 trades to acquire more 2020 draft capitalon March 21, 2020 at 12:00 pm

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Chicago Bears: 3 trades to acquire more 2020 draft capitalon March 21, 2020 at 12:00 pm Read More »

Chicagoans please take 5 minutes to fill out the U.S. Census online so we can get our fair share of the more than $675 billion per year in federal fundson March 21, 2020 at 8:51 am

Keeping An Eye Out

Chicagoans please take 5 minutes to fill out the U.S. Census online so we can get our fair share of the more than $675 billion per year in federal funds

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Chicagoans please take 5 minutes to fill out the U.S. Census online so we can get our fair share of the more than $675 billion per year in federal fundson March 21, 2020 at 8:51 am Read More »

On Rebirth by Blasphemy, Cleveland metal miscreants Midnight show they still don’t give a fuckon March 20, 2020 at 5:58 pm

Midnight are pretty much the nightmare that heartland parents feared during the satanic panic of the 1980s, when metal bands’ imagined lyrical (and moral) transgressions meant they were considered about as family friendly as murderers. Midnight’s music is nihilism with a beat, rudderless and apolitical; they’re as likely to cover 70s midwest punks the Pagans as black-metal innovators Venom. Athenar, the band’s founder and sloganeer, launched the culty Cleveland act in 2003 with a short demo often referred to by the title of its first track, “Funeral Bell.” Recording everything himself (though he usually uses a backing band live), Athenar went on to refine Midnight’s mix of punk and metal on a series of EPs–often splits or tributes–that led up to the band’s debut studio LP, 2011’s Satanic Royalty. Midnight’s latest full-length, January’s Rebirth by Blasphemy (Metal Blade), doesn’t break new ground, but the track “The Sounds of Hell” might be the closest to a hit the group can get–it sounds like Motorhead covering the Ramones. It’s also one of the more lyrically palatable tracks on the album, opening by referring to the “din of warfare” rather than, say, being dragged through fire by a “seductive beast” that’s broken free from “ancient bloody chains.” The song “Devil’s Excrement” might be about an unleashed evil creature–or the joys of taking an especially nasty shit. It almost doesn’t matter, because Athenar emphasizes each line of the chorus (“Devil’s excrement / Must unload”) with guitar drama straight out of 1987. Rebirth by Blasphemy also includes a few uplifting moments, surprisingly, though “positivity” by Midnight’s standards is likely to refer to clawing your way out of a grave. The new album continues the traditions Midnight established in 2003: they drive their music with anger and disgust, and they’re too evil to die. v

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On Rebirth by Blasphemy, Cleveland metal miscreants Midnight show they still don’t give a fuckon March 20, 2020 at 5:58 pm Read More »

Lil Wayne tries to revisit his era of greatness with mixed results on Funeralon March 20, 2020 at 6:23 pm

Remember the Lil Wayne of 2008 and 2009? He constantly boasted that he was the “greatest rapper alive,” and you know what? He actually was. The 2008 album Tha Carter III, released about ten years into his career, was a full-blown landmark. It gave the world a string of smash singles, including “Lollipop” and “Got Money,” which showed Wayne’s knack for infectious pop hooks. And on “La La,” “You Ain’t Got Nuthin,” and the legendary “A Milli,” he solidified his reputation as an unstoppable MC by hammering out some of the fastest, cleverest, most skull-rattling wordplay ever committed to tape. Wayne got even wilder on 2009’s No Ceilings mixtape, which he supposedly recorded completely freestyle–he was at the apex of his game, his charisma and skill decimating every rapper around him. At the turn of the decade, Wayne was releasing new music and collaborations at such an astonishing clip (he even put out a rock record, Rebirth, in 2010) that it’s hard to fathom how he also found time to jump-start the careers of Drake and Nicki Minaj. Since then, Wayne’s been on a long, strange trip of his own–a prison sentence, hospitalizations for codeine withdrawal, countless face tattoos–but he’s still managed to keep the releases flowing. Some have been better than others, but none has held a candle to his best. As the years have gone by, Wayne’s delivery has begun to sound almost tired and mumbly. On his latest full-length, the seemingly never-ending 24-track Funeral, he occasionally achieves a moment of brilliance, but now that hip-hop has made a viral hit out of a Rascal Flatts medley sung by a heavily armed man in a ski mask and designer bulletproof vest, Wayne kinda sounds old-fashioned. At the end of the day, though, freaky modern rappers wouldn’t exist without Lil Wayne–even as his output becomes less relevant, his importance can’t be denied. v

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Lil Wayne tries to revisit his era of greatness with mixed results on Funeralon March 20, 2020 at 6:23 pm Read More »

D.C. progressive jazz duo Blacks’ Myths find the light in harsh noiseon March 20, 2020 at 7:00 pm

Long before drummer Warren G. “Trae” Crudup III and bassist Luke Stewart launched noisy free-jazz duo Blacks’ Myths in 2018, they backed celebrated saxophonist James Brandon Lewis as the rhythm section in his trio. They’ve also enmeshed themselves in D.C.’s jazz scene individually: Crudup performs with a slew of scene fixtures, including saxophonist Brian Settles and poet Thomas Sayers Ellis, while Stewart plays in Afrofuturist crossover group Irreversible Entanglements and works for jazz nonprofit and editorial site CapitalBop as “director of presenting and avant music editor.” Blacks’ Myths 2018 self-titled debut showcases Crudup and Stewart’s preternatural musical connection: on “Upper South,” Stewart weaves together lightly pinging foreground notes with a hypnotic, relentlessly propulsive riff, which Crudup girds with cool, in-the-pocket percussion whose brisk snap he can intensify at a moment’s notice. On their follow-up, last year’s Blacks’ Myths II (Atlantic Rhythms), they tack toward discord; Stewart’s bass takes on a blistering metallic throb, and Crudup fights off the feedback with cascading drum fills that blow open pockets of space in the noise. Though Blacks’ Myths II can be intensely discombobulating, its most irascible passages make it even sweeter when Crudup and Stewart relax into a linear melody. And when shrieking patches of noise erupt from the sluggish but triumphant “Free Land,” they feel like sunlight on the horizon. v

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D.C. progressive jazz duo Blacks’ Myths find the light in harsh noiseon March 20, 2020 at 7:00 pm Read More »

On the new Who Sent You? Irreversible Entanglements are more political and potent than everon March 20, 2020 at 7:19 pm

Irreversible Entanglements will leave you shaken. The group make tight, synergistic free jazz anchored by the dynamic spoken-word declarations of poet Moor Mother, aka Camae Ayewa. Their music sometimes sounds chaotic and freewheeling, but it ensnares listeners with arrangements carefully considered to help deliver fiery political messages. The five-piece ensemble–the lineup also includes saxophonist Keir Neuringer, trumpeter Aquiles Navarro, bassist Luke Stewart, and drummer Tcheser Holmes–originally performed as two different groups at a 2015 New York benefit show called Musicians Against Police Brutality. They create art with a purpose, and on their new album, Who Sent You? (International Anthem/Don Giovanni), they sound more potent than any other act out there. The title track surrounds you with a vortex of barreling drums as Moor Mother evokes the terrors of living in a police state. She sounds assured and calm, firing off words that indict the futility, ineptitude, and foolishness of cops and their failure as civil servants. “Blues Ideology” rallies against harmful religious ideologies that powerful leaders feed the masses, and the stumbling, anguished instrumentation bolsters the anger in Moor Mother’s voice (“Pope must be drunk,” she exclaims). No track feels frivolous, and that’s Irreversible Entanglements’ greatest feat: they instill a desire to think, act, and live more purposefully. v

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On the new Who Sent You? Irreversible Entanglements are more political and potent than everon March 20, 2020 at 7:19 pm Read More »

Philadelphia indie rocker (Sandy) Alex G closes a prolific decade with the stunning House of Sugaron March 20, 2020 at 7:40 pm

Philadelphia indie-rock alchemist Alexander Giannascoli understands better than most musicians who’ve emerged in the past decade how to convey the slipperiness and complexity of emotion in song. The 27-year-old kicked off his career in the early 2010s with a streak of albums he self-released or put out through small cassette labels, and they all wound up on the Bandcamp page he ran as Alex G. By the time he added “(Sandy)” to his stage name in 2017, his blossoming cult status had gotten a major boost from his contributions to Frank Ocean’s two 2016 albums, Endless and Blonde. Giannascoli’s second album for big-time indie Domino, Rocket, brought him to his own crossover moment that same year. On his follow-up, September’s House of Sugar, he’s refined his experimental, everything-but-the-kitchen-sink approach to indie rock without losing the emotional ambiguity that makes his music magnetic. The radically processed vocals on “Gretel” give way to a Lynchian melody, hinting at the odd range of feelings that anyone going through major life changes faces, regardless of age. Giannascoli’s calming vocals on the chorus act as a balm against dark moods, and he performs with a resilience that suggests moving forward won’t be as bad as we fear. v

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Philadelphia indie rocker (Sandy) Alex G closes a prolific decade with the stunning House of Sugaron March 20, 2020 at 7:40 pm Read More »

Lord Dying’s Mysterium Tremendum is a beautiful meditation on tragedyon March 20, 2020 at 8:05 pm

This Portland-based progressive sludge-metal band returned from a lull last year with two new members, bassist-vocalist Alyssa Maucere (formerly of Eight Bells) and drummer Kevin Swartz (of Bottom and Forgotten Gods), and their third full-length, Mysterium Tremendum (eOne). It’s beautiful, but it’s a concept album about death–which makes it either the best thing or the worst thing to listen to while staring down the barrel of a pandemic. The band’s cofounders, guitarist-vocalist Erik Olsen and guitarist Chris Evans (not the Captain America guy), have both faced sorrow and tragedy in recent years–Evans’s sister suddenly passed away, and both of Olsen’s parents were diagnosed with cancer–and they channeled their grief into music. Lord Dying’s previous two albums may have felt heavier in a musical sense, but Mysterium Tremendum (which translates to “terrible mystery”) is heavier psychologically: the band use a diverse array of techniques from the prog-metal toolbox to meditate on death, spirituality, and the afterlife. The result is not just awe-inspiring but also surprisingly tender and kind. Olsen relies mostly on clean vocals, and on thoughtful tracks such as “The End of Experience” he sounds vulnerable and plaintive in the face of the inevitable–emotions that are cushioned by the ghostly instrumental buildup of the following track, “Exploring Inward.” That song winds up in shreking defiance, but the high, clear melodic notes of the ballad “Even the Darkness Went Away” strike a tone of elegiac acceptance. Maucere uses her striking singing to great effect, and its presence is evidence of Lord Dying’s willingness to shake up their already powerful sound in order to explore a greater emotional range. Though death is a staple subject in metal lyrics, it’s rarely explored with as much grace and depth. v

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Lord Dying’s Mysterium Tremendum is a beautiful meditation on tragedyon March 20, 2020 at 8:05 pm Read More »