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Additional good advice on COVID19 from a coronavirus experton March 14, 2020 at 3:39 pm

The Barbershop: Dennis Byrne, Proprietor

Additional good advice on COVID19 from a coronavirus expert

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A pandemic dilemma: Getting to the bottom if we canon March 14, 2020 at 3:58 pm

The Quark In The Road

A pandemic dilemma: Getting to the bottom if we can

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Music to survive the Coronaviruson March 14, 2020 at 4:00 pm

I’ve Got The Hippy Shakes

Music to survive the Coronavirus

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Audio pleasures for self-quarantineon March 13, 2020 at 7:30 pm

Well, here we are! Trapped in our homes, distancing ourselves socially, getting more “me” time than we could have ever hoped for. Events are getting canceled left and right, but that doesn’t mean we can’t still scratch our cultural itches. If you want to really lean in, there are lists aplenty like these from Vulture offering recommendations of the best books and movies about pandemics. Locally, Chicago Public Library card holders can stream TV shows, movies, audiobooks, and e-books, and if you don’t have a card you can get a temp pass online at chipublib.overdrive.com. But if what you’re really worried about is being alone with your own thoughts, we have some suggestions of podcasts and music to stream to drown out the deafening silence of self-quarantine while supporting local artists in the process.

PODCASTS

Part of the joy of podcasts is never feeling lonely–your best friends are right in your earbuds ready to have a chat and cheer you up. It’s perfect to help keep you sane during quarantine, and you can support the comics, storytellers, journalists (you’re already listening to The Ben Joravsky Show
and Back Room Deal, right?!), and more who may be having gigs canceled during the pandemic. Be sure to check for Patreons or other means of financially supporting your favorites.


Crushes! with Deanna Ortiz: Stand-up Deanna Ortiz has her funniest friends on to talk about their biggest crushes, plan their ideal dates, and play “Hot or Just Tall?” stitcher.com/podcast/jazzfuzz/crushes-2


Musically Illiterate: Host Georgia Gove doesn’t know much about music so she invites guests to school her by listening to and talking about their favorite albums from start to finish. facebook.com/musicallyilliterate


We Still Like You: People share their most shameful moments on this storytelling podcast recorded at live shows across the country. It will make you feel better about yourself while you’re alone with your thoughts. westilllikeyou.com


Please Make This: The reigning Best of Chicago champ, this podcast features hosts Hobert Thompson, Spencer Blair, Laura Petro, and a guest writer pitching, writing, and performing a table read of a brand new movie every episode, complete with original poster art. machineculture.com/please-make-this

Desks and Dayjobs: What would Dungeons and Dragons be like if it was set in the boring real world? Pretty funny, according to this podcast! They recently recorded a live episode at C2E2, in case you want to pretend you’re in a crowd. machineculture.com/desks-and-dayjobs


Feast of Fun: With nearly 3,000 episodes under its belt, you can kill a lot of time binging this podcast that celebrates all things Chicago LGBTQ. Hosts Fausto Fernos and Marc Felion chat with local artists, musicians, actors, and more–most recently they sat down with comedian Jake Noll to talk surviving Corona. feastoffun.com


Rani Rage Radio: There’s no better time to be angry together! Comedians Meg Indurti and Sonal Aggarwal dismiss the idea that it’s unladylike to be angry and instead unleash their rage onto the world while trying to figure out how to turn it into purposeful action. facebook.com/ranirageradio


The Hood Nerds: Comedians and self-proclaimed nerds Ty Riggs, Jarrell Scott Barnes, and Matty Robinson get into it about which Batman was best, the best action movie of all time, XBOX vs. PlayStation, and more on their weekly podcast–you can also watch it live and join in on the conversation on Facebook. facebook.com/groups/thehoodnerds


What About Chicago?: Musician Rahim Salaam and producer Ben Maroney shine a light on arts and culture that fly under the radar in the city, interviewing the movers and shakers behind the events, exhibitions, parties, and more that make Chicago tick. soundcloud.com/whataboutchicago


The Ajumma Show: Korean-American comics Peter Kim and Eunji Kim (no relation) tackle current events, pop culture, and personal dilemmas from their often underrepresented and absolutely hilarious point of view, all while considering the judgmental glare of an Ajumma, an elder in the family who is to be respected and is full of opinions. stitcher.com/podcast/ajumma-show

Bud Buddies Potcast:
Stand-up Julie Merica invites her stoner friends to swap stories and try a new strain every week on this cannabis-infused “potcast.” facebook.com/budbuddiespod

click to enlarge
Pre-order Nnamdi's Brat online while you're trapped inside.

MUSIC

Bandcamp offers a better way to support local musicians than nearly every streaming site out there, because, well, you’re paying to download an entire album. (If you use the Bandcamp app, you can stream every song you’ve purchased through the site on your phone.) Those artists and labels who have vinyl, cassette, and CD versions of their releases sell them through Bandcamp too, though when person-to-person contact is kept to a minimum perhaps it’s best to stick to downloads for a few weeks. Regardless, here’s a list of local artists whose music you can purchase through Bandcamp and help out when shows and tours are getting postponed or outright canceled.


Spam Risk, Spam Risk: Lean, blustery, and animated punk that’s on the fringe of the underground style sometimes called egg punk (ask an egg punk). spamrisk.bandcamp.com/album/s-t


Impulsive Hearts, Cry All the Time: If you can’t make it to Midwest Action’s Sleeping Village showcase next Thursday, you can still listen to the surf-rock band’s latest album here. impulsivehearts.bandcamp.com/album/cry-all-the-time


Understudy, Without Sight, Without Sound: More brooding, unrelentingly strange industrial music from the Chicago Research collective. chicagoresearch.info/album/without-sight-without-sound


Various Artists, Housepit Chi EP #1: A too-brief compilation from local dance event booking organization Housepit Chi. housepitchi.bandcamp.com/album/various-artist-ep-1


Ruby Watson, Carry Me: The latest monster release from Why? Records, the best emerging rap label and collective in Chicago. rubysmells.bandcamp.com/album/carry-me


Rookie, Rookie: This young six-piece has a deep affection for bygone eras of pop music and the hooks that appeal to people who were born long after 1960s and 1970s rock first got called “classic.” rookietheband.bandcamp.com/album/rookie-2


Nnamdi, Brat: OK, so this album doesn’t come out for a few more weeks, but you can still pre-order the album and stream the three new singles. In the past few days, Nnamdi’s music has gotten love from Moses Sumney, Neko Case, and Jamila Woods, so what are you waiting for? nnamdiogbonnaya.bandcamp.com/album/brat


Roy Kinsey, Kinsey: A Memoir: It’s not hyperbole to say that at Reader headquarters loves Roy, and this album will show you why. roykinsey.bandcamp.com/album/kinsey-a-memoir


Cashmere Pula$ki, Pula$ki Day: Possibly the greatest rap album made out of teeny shards of Sufjan Stevens samples. bitterherb.bandcamp.com/album/pula-ki-day

Poplife, “Warm Breeze” b/w “You’re Cool”: The inventors of “Bruce jazz” return with another couple relaxing tracks. poplife.bandcamp.com/album/warm-breeze-b-w-youre-cool


Ohmme, “3 2 4 3”: There’s a ton of great Chicago albums coming out in the next few months, and Ohmme’s forthcoming Fantasize Your Ghost is at the top of my list. This is the first single from the album. ohmme.bandcamp.com/album/fantasize-your-ghost



A POEM


Lisel Mueller, “The Blind Leading the Blind”: Finally, a poem featured on the Poetry Foundation‘s website, read by the Reader‘s own Salem Collo-Julin. soundcloud.com/salem-collo-julin v






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Former Can vocalist Damo Suzuki still diving into impromptu momentson March 13, 2020 at 8:02 pm

Update: This show has been canceled to help slow the spread of COVID-19. Tickets will be refunded at point of purchase.

Damo Suzuki has always had a case of wanderlust. Born in 1950 in Kobe, Japan, he began traveling while still in his teens and spent time living in Grasmark, Sweden, before eventually landing in Cologne, Germany, where he landed a gig as the lead singer of Krautrock progenitors Can in the early 70s. His contributions included recording 1971’s Tago Mago, arguably the band’s high point: the album judders with taut rhythms and seethes with waves of gnarly guitar, and Suzuki intones words and sounds that seem pulled up from a poetic subconscious. His penchant for travel never abated, and after leaving Can in 1973, he kicked around and sporadically recorded with a few other ensembles. But by the 1990s, Suzuki had embarked on an ongoing, basically endless tour, an open-ended road show in which he travels from city to city fronting bands of local players. He calls these many bands Damo Suzuki’s Network, and at his current Chicago stop (he had to cancel in May 2019 due to visa issues), the Network is set to include multi-instrumentalist Cooper Crain, bassist Joshua Abrams, and drummer Quin Kirchner. Regardless of his accompanists, though, twinges of the delivery he showcased on his recordings with Can sporadically pop up: a live 2018 album with Black Midi caught him mimicking his cadence and melody from the Tago Mago cut “Mushroom.” But whether Suzuki is recalibrating the past or diving into an impromptu moment of vocal eloquence, each of his performances enhances his legacy. v

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Chicago rapper and singer Sun Blvd celebrates the first anniversary of the lively album Link in Bioon March 13, 2020 at 8:14 pm

Emerging Chicago rapper-singer Sun Blvd, aka Sunny, approaches genre with a fluidity that should serve her well in the long run. On her 2019 EP, Link in Bio, her voice glides across pop, rap, and R&B, gassed up by skittering, sometimes blistering production that’s cut out for blasting late at night in a dim club. On “The Blues,” she complements knobby percussion and zipping synth with springy, punchy bars that bristle at the end of every line–but even on her most aggressive verses, she projects the nonchalance of someone tanning on a California beach. Beat-scene regular and event promoter DJ Skoli produced Link in Bio (he also founded Kinky Elevator Music, the label-slash-collective that released it), and he expertly augments Sunny’s animated turns–together they have the potential to level up the KEM collective. v

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Caribou makes intimate dance music that’s irresistibly personalon March 13, 2020 at 8:30 pm

Update: To help slow the spread of COVID-19, this show has been postponed until further notice. Ticket holders should contact point of purchase for refund or exchange information.

Canadian artist Dan Snaith, who performs as Caribou, crafts mesmerizing explorations of dance music that are alluring, catchy, and intimate. He distills various strains of house music into simple moods and fleshes out the emotions of each track with gently spoken vocals. This is especially true on his latest album, Suddenly (Merge). On “Home,” Snaith sings along with a sample from the Gloria Barnes song of the same name, capturing his love for music and for a woman who’s found contentment in life. “New Jade” speaks of someone on the precipice of fulfillment and healing after a breakup, and its skittering hip-hop instrumentation and sampling push toward that catharsis. Snaith’s voice anchors many of these songs, but it feels most crucial on “Never Come Back,” a wistful piano-house track where he reminisces about a past relationship; for most of the song he simply riffs on the title, but every so often he moves into a higher register to deliver a few more lyrics, suffusing the song with new tenderness and vulnerability. Even on songs where Snaith’s voice isn’t as prominent, he can make a similar softness felt; on “Ravi,” he lays a fractured vocal sample over a shuffling two-step beat, then comes in to sing a couple lines. Whether Snaith is producing the music or singing over it, he always finds ways to keep you emotionally invested. v

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Horse Lords make wordless art-rock that swarms with utopian possibilitieson March 13, 2020 at 8:46 pm

Update: To help slow the spread of COVID-19, these shows have been postponed until further notice. Ticket holders should contact the point of purchase for refund or exchange information.

Lyrics aren’t the only way for musicians to communicate political messages, just the most obvious. When the Knife turned their live show for 2013’s Shaking the Habitual into a group study in Queer Space Jazzercise, they deliberately obscured which performers were the Dreijer siblings, making a point about equitable collaboration by dissolving the hierarchy of star and supernumerary. Baltimore four-piece Horse Lords are already a collective without a front person, and they play wordless, mostly instrumental music–but they’ve still got song titles to work with. On the new The Common Task (Northern Spy), they’ve named a track “People’s Park,” after a public space in Lincoln Park established in the late 1960s by the Young Lords (a former Latinx street gang devoted to radical activism) in an effort to slow the gentrification displacing the neighborhood’s Puerto Rican population. Horse Lords’ music (rendered with guitar, bass, drum kit, percussion, electronics, and alto saxophone) also conveys the joy and excitement of utopian politics more abstractly, by laboring to transform the bricks and mortar of rock ‘n’ roll into a dizzying, fractal cloud of morphing and overlapping ostinatos. These songs topple the tyranny of the beat–hardly the worst kind of tyranny, admittedly–not by doing away with tempo, the way free jazz and ambient music frequently do, but by harnessing the musicians’ ferocious rhythmic discipline to maintain several simultaneous tempos, often in bafflingly complex relationships to one another. It’s frequently danceable, and you get lots of choices about which beat to follow. The Common Task can sound like overcaffeinated Tuareg “desert blues,” like 17 robots all trying to get into the same elevator, or like a reggaeton beat in a clothes dryer. “Fanfare for Effective Freedom” begins with simple, recognizable two-against-three and three-against-four phasing before sidestepping casually into 11-dimensional spacetime. Halfway through, the track hits a thrilling, intricate groove in a swift 5/8 meter, providing a stable core beat that might arrive as a relief if your brain has been pinballing among competing rhythms and compulsively trying to count out what’s happening. But as satisfying as that moment can be, it requires collapsing the swarm of possibilities that’s brought us this far–and possibility is what Horse Lords do better than anybody. v

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Possessed roar through the death metal of future paston March 13, 2020 at 9:05 pm

Are Possessed a band or a hive of slavering meat puppets inhabited by time-traveling demons from the future? The case for the latter is strong. The Bay Area band’s 1985 classic, Seven Churches (Relativity/Combat), was death metal before death metal had chewed its way out of heavy metal’s womb. With thrash speeds, crude punk-crust-vomit production, and Jeff Becerra’s pioneering esophagus-rupturing growl, Possessed created an unholy, scabrous adrenaline rush dedicated to an apocalyptic millennium of hellfire and amphetamines before splitting up in 1987. Nearly 35 years later, Possessed’s monstrous vision is still tattooed on many metalheads’ brains, and their music sounds more relevant than any metal from the 80s has a right to. Becerra was paralyzed from the chest down when he was shot during a robbery in 1989, but he began performing again under the Possessed name in 2007, assembling a backing band from members of Los Angeles death-metal crew Sadistic Intent. Last year the group put out their first album in more than three decades, Revelations of Oblivion (Nuclear Blast). Becerra no longer plays bass, but he still does a fine imitation of a man with wolverines climbing out of his throat. And the latest incarnation of the group–drummer Emilio Marquez, guitarists Daniel Gonzalez and Claudeous Creamer, and bassist Robert Cardenas–delivers the same leather land-speed thrill as the original lineup. Whether shredding through tunes from Revelations of Oblivion or blasting through their back catalog, Possessed still sound like they’ve bargained with Satan for an eternal, festering youth. v

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Velnias explore cerebral, atmospheric metal on Scion of Aetheron March 13, 2020 at 9:24 pm

Colorado three-piece Velnias have always had their own distinctive blend of black, progressive, and folk metal: it builds slowly, and they give it a lot of room to breathe. They took their name from a primal Baltic forest god, and they’re very fond of passages of braided, interlaced clean guitar that verge on space metal. After making ripples with 2012’s RuneEater and 2016’s Absolution, the group are continuing their rocky path through misty mountains on their upcoming third album, Scion of Aether (out March 27 on Eisenwald). With a moody, cerebral sound that values atmosphere over dirty raw power, Velnias aren’t a band to go to if you require constant pummeling, but they could certainly provide it if they wanted–the excellent drumming often patters beneath the quiet bits like a lurking threat. Depending on your need for speed or your tolerance for rambling indulgence, Velnias might have a little too much restraint or not enough, but when they do unleash the dogs of war (as in the tightly coiled riffs of 15-minute closer “Oblivion Horizon–Null Terminus”), the payoff comes in a volcanic eruption. The band play Chicago just weeks before they head off on a European tour (knock on wood), and they’re sharing the bill with two great locals: sludgy but explosive four-piece Pale Horseman and atmospheric black-metal band Vukari, whose third full-length, last fall’s Aevum, brings all the wall-slamming fury you could want. v

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Velnias explore cerebral, atmospheric metal on Scion of Aetheron March 13, 2020 at 9:24 pm Read More »