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Chicago named #1 city to celebrate St. Patrick’s Dayon March 3, 2020 at 2:09 pm

Chicago Eats

Chicago named #1 city to celebrate St. Patrick’s Day

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Even before the stock market tanked, Trump’s economy hasn’t been great for me. Here’s why.on March 3, 2020 at 3:33 pm

Opinionated Woman

Even before the stock market tanked, Trump’s economy hasn’t been great for me. Here’s why.

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Even before the stock market tanked, Trump’s economy hasn’t been great for me. Here’s why.on March 3, 2020 at 3:33 pm Read More »

“Where Have You Gone, Joe DiMaggio?”on March 3, 2020 at 4:13 pm

Cubs Den

“Where Have You Gone, Joe DiMaggio?”

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Here is the most authoritative and comprehensive information on the Coronaviruson March 3, 2020 at 5:51 pm

The Barbershop: Dennis Byrne, Proprietor

Here is the most authoritative and comprehensive information on the Coronavirus

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Zelda — Petraits Rescueon March 3, 2020 at 5:52 pm

Pets in need of homes

Zelda — Petraits Rescue

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Zelda — Petraits Rescueon March 3, 2020 at 5:52 pm Read More »

Yvonne Farrell and Shelley McNamara Receive the 2020 Pritzker Architecture Prizeon March 3, 2020 at 6:34 pm

Arch-X-Perience

Yvonne Farrell and Shelley McNamara Receive the 2020 Pritzker Architecture Prize

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Yvonne Farrell and Shelley McNamara Receive the 2020 Pritzker Architecture Prizeon March 3, 2020 at 6:34 pm Read More »

Vaginal Davis steps into the mainstream spotlighton March 3, 2020 at 6:00 pm

The goddess of queer punk Vaginal Davis burst onto the Los Angeles performance scene in the late 1970s as the front woman for the art-punk band Afro Sisters, then became an integral influence in drag performance and a matriarch for performance artists. Born intersex during a time when doctors performed medical interventions in order to assign gender, Davis’s mother refused. While her birth certificate stated male, her family used she/her pronouns. Honing in on her German, Jewish, Mexican, and French-creole heritage, she would go on to create fictional characters that were “multiracial and maxi-gendered.”

Davis has played a pivotal role in critiquing politics, white supremacy, identity, and sexuality. In her 1999 video piece, The White to be Angry, Davis is particularly focused on these themes. The 19-minute capsule of found footage, 90s commercials, and montages of televangelist Robert Tilton is on view in the modern wing of the Art Institute of Chicago. The video is set to a soundtrack by Davis’s band Pedro, Muriel & Esther (PME), which recorded their first full-length album, also titled The White to be Angry, in the mid-90s in Chicago. While in PME, Davis performed as Clarence, a white supremacist from Idaho. She even wore a ZZ Top beard.

Davis’s first solo exhibition didn’t happen until 2012 and commercial gallery representation didn’t open up for the artist until 2013. The Art Institute of Chicago is the first museum to collect Davis’s video work in a permanent collection. Davis told Dazed in a recent interview, “For someone who’s sort of an outsider artist
. . . well, it’s a big deal for somebody like me. A funky, funky person like me!”

Davis was a member of the subculture group Homocore, which hosted a queer punk night in the mid-90s that influenced the Riot Grrrl movement and featured bands including Sleater-Kinney, Los Crudos, Tribe 8, Bikini Kill, the Butchies, and more. The decade-long monthly queer night expanded to cities like Detriot, Minneapolis, and New York, and finally ended with Le Tigre’s Chicago debut in 2000. Davis was closely tied to the Queercore zine movement, where she published Fertile La Toyah Jackson from 1982 to 1991, which she turned into a video performance project. At Homocore events, Davis would share zines, present lo-fi films, and perform poetry.

The White to be Angry, shot on a Hi8 camcorder with virtually no budget, acts as a visual album for PME, following songs that reference directors (Woody Allen, Bruce LaBruce, and Clive Barker). Each segment includes an original song and footage that centers around a skinhead grappling with his sexuality, resulting in violent hate crimes. The lo-fi video piece feels especially current. We are experiencing a flare under the current cheese-puff administration similar to the queer punk revolution that sparked fire during the Reagan era. Featuring scenes of BDSM, violence, blow jobs, religion, and white supremacy, Davis incorporates dark humor to explicate complex themes still relevant to history and society. The film focuses on the othering of people and how society ruminates on that hatred until it explodes with dangerous and destructive violence.

Davis has always fit in-between the punk and the drag scenes. “Gay drag queens hated me,” she famously told Jose Esteban Munoz in the book The Feminism and Visual Culture Reader. “They didn’t understand it. I wasn’t really trying to alter myself to look like a real woman. I didn’t wear false eyelashes or fake breasts. It wasn’t about the realness of traditional drag–the perfect flawless makeup. I just put on a little lipstick, a little eyeshadow and a wig and went there.” Munoz, a queer writer and critic, was the first to coin the term “terrorist drag,” which was used to describe Davis’s work in particular. Davis focuses on the repulsive, the undesirable, the revolting reality of society and mirrors that in her performances as well.

Viewers of The White to be Angry are meant to feel discomfort, either from their own prejudices or the abhorrent honesty portrayed in the scenes. Images with Confederate flags, discussions using intolerant racist language, and crimes against the LGBTQ community are thrust onto the viewer. A young mother sitting next to me in the gallery softly left the space with her stroller midway through the video. A man giving a blow job flashed across the screen as she rounded the corner towards the exit. The couple to my left shifted uncomfortably in their seats. The roughness in the film is contextual but also applies to scenes cut from cable television coupled with the editing style that give this piece a “home project” feel that celebrates the weird, perverse, DIY, and outsider aesthetics. Davis’s voice, presence, and art have the unwavering power of remaining relevant for nearly five decades. Being born in the underground clubs of LA and traversing esteemed museums across the globe, Davis has proven that being your bona fide self is still the most punk rock thing you can do. v

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The Chicago Bulls did WHAT in February?on March 3, 2020 at 12:00 pm

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Chicago Bears Draft: 5 receivers to replace Taylor Gabrielon March 3, 2020 at 1:00 pm

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Chicago Bears, Taylor Gabriel

Chicago Bears (Photo by Mark Brown/Getty Images)

The Chicago Bears are in need of pass-catchers, and a recent transaction might prove Chicago has a bigger issue at wide receiver than you think.

On February 21st, the Chicago Bears decided to release wide receiver, Taylor Gabriel. The 29-year old spent the last two seasons with the Bears organization, playing in 25 games with 18 total starts and accumulating 96 receptions for 1,041 yards and six total touchdowns.

By cutting the veteran, the Bears will be saving roughly $4.5 million in cap space. Gabriel was originally signed to bring a speed element to Matt Nagy’s offense. This was clearly something that Chicago was sorely lacking once Gabriel went down in the back half of the past season with concussion issues.

With that being said, the Windy City hopeful currently has the following receivers under contract entering the 2020 NFL season…

Excluding Return-Specialist, Cordarrelle Patterson, the Bears current receiving corps is full of route running specialists and “jump ball” receivers. The loss of Gabriel points to the Bears needing to add a receiver who can take the top off the defense.

Now, many may point to free agency as a valid pool to sign a deep-threat from, but this year’s NFL Draft Class is very deep at the receiving position, and it would be smart of the Bears to save cap space and draft a rookie to replace Taylor Gabriel. Here are five potential options that I think would be great fits for the Bears…

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Chicago Blackhawks: Three players who need a strong finishon March 3, 2020 at 2:00 pm

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Chicago Blackhawks Jonathan Toews

(Photo by Jonathan Daniel/Getty Images)

The Chicago Blackhawks are already looking forward to next year but there are a few players who need to have a strong finish to this year first.

The Chicago Blackhawks are looking to have a strong finish to the season. They are currently six points out of the playoffs as March gets underway so there is still an outside chance they make it. Whether or not they do remains to be seen but it is unlikely. With that said, they might as well try. Guys like Patrick Kane, Dominik Kubalik, and Jonathan Toews are having really good years but in order for them to get back into the race, some other players are going to need to step it up.

They were already sellers at the deadline. They traded Robin Lehner to the Vegas Golden Knights and Erik Gustafsson to the Calgary Flames. That tells everyone that they are more worried about the future and that is the way it should be from an organizational standpoint. With that said, good luck getting the players to think about the future.

All of the players in this organization are fueled to be much better as a team. There are still some of the core players there from the teams that won the Stanley Cup three times in six years. Those guys know what it takes to win and you’d have to think that they preach that at the younger players. That should motivate the ones who are not champions to follow in their footsteps. If they were to make the playoffs this year, it would be a great story of resiliency.

They can go for it all they want. Whether they make it or not, the most important thing is building for the future. They have some key future pieces in place but they need to keep building. For them to keep building, these three players need to finish 2019-20 strong:

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