Resolute

The Reader’s EIC strikes a pose outside of the Bankers Building (aka the Clark Adams Building). Credit: Enrique Limón

The cover for our Volume 52, Number eight print issue features an illustration by Frank Okay Credit: Frank Okay

As January inches to a close, it’s a good time to take stock of what this year has been like thus far, and where we stand on those pesky New Year’s resolutions we promised we’d actually stick to this time around. Remember those? Well, smart indoor rowing machine, meet the storage unit; promise to drop ten pounds, meet Carnicería Maribel’s delectable torta de carnitas.

A few weeks back, during our first editorial meeting of the year, I asked editorial staffers to come up with a personal newsroom resolution, and share it in a singular word with no context. It was an interesting experiment that produced terms like a promising “yes,” “collaboration,” “determination,” and a stoically self-explanatory “journalism.”

Mine was “re-energize.” I chose that word because it symbolizes so much of where I’d like for the Reader to head and expand. We’re lucky enough to have a dynamic and resilient team that, with a few battle scars under its belt, remains steadfast in producing quality journalism and shining a light on wrongs that should be corrected, as well as on the people, movements and moments, and very particularly in this issue, the artists and visionaries that make our city such a unique place to call home.

My commitment to what we do was recently reenergized when I found myself during a brisk morning strolling past Clark Street’s Bankers Building. The Burnham Brothers’ 41-story behemoth has held many distinctions since it was first opened in 1927: it’s the city’s tallest all-brick edifice, and its 19th floor once housed the FBI office tasked with taking down notorious bank robber John Dillinger. For a while, it also served as headquarters for Medill’s central Loop newsroom. 

It was there where I arrived as a wide-eyed freelancer in the summer of 2009, to be part of the journalism school’s final Academy for Alternative Journalism, a project the Reader originated in conjunction with Northwestern a decade prior.

I remember the first time I entered through the building’s revolving door, a Chicago staple that’s not as commonplace back in the homeland, and holding onto the brass handlebar as a giddy inner voice said, “That was fun—let’s do it again!”

Going past the skyscraper again, all these years later and with nary anyone else around, I reflected and paused. The structure not only was ground zero for what would be my rip-roaring career in the alt-weekly industry, but it would also double as shelter on more than one occasion. See, I’d pitched the idea that I would experience the real Chicago by crashing at strangers’ homes I’d find on the newishly launched couchsurfing.com. More than a potential story though, it was a way for me to guarantee shelter during my Windy City stint, as I’d arrived in town with something like $60 in my bank account, and the fellowship’s stipend would only go so far.

I would have been too humiliated to share this back then, but lodging plans would sometimes fall through, and money would be extra tight, so without anyone ever knowing, I slept on the newsroom floor on more than one occasion. I developed a system: I’d lay out a couple of sofa cushions under my desk, make sure to set an alarm to go off before the morning cleaning crew arrived, make myself presentable in the newsroom bathroom, and hopefully scrounge up some food from the break room fridge’s communal shelf. Sometimes it was someone else’s leftovers; sometimes I lucked out and it was an intact Yoplait yogurt.

I have no shame in sharing this now. 

Through it all, I somehow managed to never get down on myself. Are you kidding me? I got to call this incredible town home for at least a couple of months. This is where I belonged. I’d also have the opportunity to hone my skills and meet industry leaders who I still consider mentors to this day. 

The winter chill nipping at my nose, I stood there for a minute, took the full circle moment in, and snapped a quick pic as a humble reminder. 

Looking back, I now cherish that hardship, and hold that freelancer’s unabashed perseverance near to my heart, because it all brought me to where I am now. I resolve to honor him and his big, seemingly unattainable dreams, and to let our shared energy carry me into these next 11 months—and beyond.

Winter Theater and arts preview


Beyond Jane Eyre

Charlotte Brontë’s last novel takes the spotlight at Lookingglass.


‘Utopia is a place that accommodates every body’

Ariella Granados builds community for artists with disabilities.


Warholian diptych

Two plays show the artist at very different points in his life.

More from the issue (Volume 52, number 8)


Dan O’Conor, the Great Lake Jumper

“There were no stages to play—I think for these artists to come down and play one or two songs, it kind of gave them a stage or venue.”


The afterlives of Lawrence Steger

A group exhibition examines the late performance artist’s legacy.


Chicago rapper Mugen! the Human flirts with pop melody on For Her Consideration


Not your average camp

Newport Theater offers a haven for burlesque and a whole lot more.


The strength of community


Who’s getting tarred?

Marin Alsop’s issue with Tár


Jen B. Larson exalts our punk mothers in the new book Hit Girls

The Reader shares Larson’s chapters about Chicago acts Bitch and Kate Fagan.


The Brokedowns make scruffy, silly punk that satisfies


Super Sad Black Girl plumbs the highs and lows of life 

Diamond Sharp’s debut poetry collection cuts as deeply as it heals.


Chicago artists converge to sound the alarm in the fight for reproductive rights


Kankakee band Doghead play posthardcore with plenty of bite


Drag City more than doubles the posthumous catalog of outsider punk J.T. IV

Plus: Golden Dagger launches a series on music and spirituality with host William Murray-Rodriguez and guests Jessica Risker and Angel Marcloid.


Alash bring traditional Tuvan throat singing to the Old Town School


Oddisee does what he wants on the polished new album To What End


Squirrel Flower braces herself for love’s unbridled force on new single ‘Your Love’


Remembering the Big Boss Lady

Drummer and singer Johnnie Mae Dunson built her career in the kind of powerful gutbucket blues almost entirely dominated by men.

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